In a 2003 interview attached to this edition of the Shanghai Film Festival, Bergman said that the film was made with anger, because after two years as the director of the theater, he was tired of living a life full of mandarin lies. This is clearly the reason for Vogler's silence, even autism (quietness and isolation) in the film. Bergman also said that in the first four minutes of the film, he wanted to use the film to write poems/lyrics. This violent and chaotic scene has no direct connection with the main plot, but it seems to be a model. Anno Hideaki used a similar technique in EVA. , the end of Fight Club also has a unique tribute.
Bergman says he hates people analyzing too much, but the film is really quite experimental, with too many parts that are hard to explain, both in the era and in his own lineage. Looking at it this time, I feel that the focus is not on who is who, but on the will to take off the disguise. This will moves between faces and speaks. In other words, the will is looking for the truth. With the pounding of the keys, the estrangement of the faces melted away, and the words cast the faces into one, saying "the true self", which mixed confession, repentance, and longing for redemption. But this whole process is full of mental stress, even violent, just like the soundtrack, disturbing and dissonant. Bergman doesn't mean reconciliation, only exposure and sting.
The whole film can be said to be arranged on the face. Bergman has a peculiar talent, that is, to fill the screen with his face, but it does not feel abrupt. Although many shots can be made into slideshows, but the sleepwalking quiet person communicates with each other. , brushing the face and hair, it is indeed a magical moment, at this moment, it is not far-fetched to attach: mirror images, shadows, and dreams come to reality. So abstract, yet so concrete.
When the camera stopped on the face of Bergman's madly in love with Uman, her forehead "with the breath of sleep and tears", I thought of a sentence written by Marias in "So Pale Heart".
"The messy hair on her forehead, like fine lines from the years to come, made her dim in an instant."
View more about Persona reviews