Let’s talk about the movie first. As an erotic movie, it is erotic enough. The whole movie uses a lot of nude scenes and erotic scenes. The lens does not give people too much vulgarity, but becomes an artistic photo under the lens of a photographer. The logic of the plot in the story is very clear. Seeing it is useless, Sao Nuo uses his best flashback technique. When everyone knows the ending, he lays the groundwork and hints little by little to make the whole movie The real meaning lies in the process of the ending. It's just that the rhythm of the movie is a bit slow under the extreme literary and artistic narrative of Sao Nuo. The pursuit of aesthetics makes the audience a little bit outside the plot, which will cause the audience to have a certain degree of visual fatigue.
The reason why I want to tell you too much about such a movie on such a strange day is because it is a literary film (or a literary film with a heavy taste) that the director interprets love.
It has been said before that this is a work directed and acted by Sao Nuo, so the male protagonist is more or less in the shadow of the director, and such a film should be said to be an interpretation of love by the director from his own worldview. When the actor was young and frivolous, he met a woman who was as fanatical as himself. It is conceivable that the protagonist’s plot of mountains and rivers at the time. The male and female protagonists have spent a period of crazy and affectionate years. The director has interspersed a large number of sex scenes of the male and female protagonists in such a plot, and the scale is unprecedentedly large. Such a technique may be explained by a plot in the movie. At that time, the hero and heroine lived in an apartment. They had a lovely female neighbor (the hero later married the female neighbor). One night they invited the female neighbor to dinner. The female neighbor was an anti-abortionist. The male protagonist asked him if he was an anti-drug. The female neighbor explained the two in the same way—this is the law of nature. Even if it is smoking, people have lived with tobacco for thousands of years. This should be the director's basic concept of love. Whether it is love, marriage, reproduction or sex, this is all natural law, and it is something that exists in human nature. We cannot deny it or avoid it. We will not comment on whether this view is right or wrong, but at least in love, what the director interprets is real. Many times we are unwilling to admit it because we are unwilling to accept and avoid it, and we are afraid of it. Let your love fall into stereotypes. After all, everyone hopes that their love is sacred and different. It's a pity that we are all humans, and we can't escape the love of others. At least we can say that we will not escape from normal. Human love, for example, in my personal opinion, platonic love is an unhealthy love, because this kind of love is detached from reality and pure idealism. Such love cannot last because it does not conform to the laws of nature.
Since this is an erotic film, then we need to know that the director's interpretation of love in such a film is full of artistry. In other words, this kind of love is derived from life and is higher than life.
The director interprets the trajectory of the emotional life between the male and female protagonists through a large number of large-scale descriptions of the sex of the male and female protagonists. The protagonist and heroine both live on art, both of them love life, love love, and love sex. The whole process of their relationship is completely in a state of addiction, completely indulged in each other's love and body. Among. Maybe such a way of love is not completely close to ordinary people, but such a state is absolutely true. The beginning of any relationship is thunder and fire, even if it doesn’t seem so enthusiastic, the two people’s hearts China must also be excited and fanatical. In this film, the director is perfect in terms of the setting, the soundtrack and the performance of the actors. He has given the flesh such a thing as vulgar in the eyes of ordinary people the life of love and made it beautiful. Perhaps this is also the director's worship of human nature. The charm of human nature lies in release. Of course, there are good and evil in human nature. The release I am talking about here is a release in legal and moral constraints. We should first recognize human nature, and then accept human nature. Love is every What a person desires, and in most cases, regardless of the ending of love, the beginning is always good. Everyone is an independent individual. Isn’t it a good thing to find someone who can live with you? Something?
The movie has a total of more than 130 minutes. Some people may question whether it is unrealistic to explain "love" clearly in such a short period of time. We have to base this on the director’s worldview. From the perspective of this film, the director is a hedonist. Therefore, life is detached from the director’s eyes. Everyone should have their own pursuits and thoughts, what we are pursuing. The things we love and have practical meaning, not some rules imposed on ourselves by some outsiders or even families in the process of growing up. Of course, if these rules are correct, it is very good. After all, there are many more in the world we live in. People insist on those cruel and ignorant thoughts. The heroes and heroines in the movie are also two hedonists, pursuing the meaning of life and the joy of living every day. There is no problem with this attitude to life. The problem is that the two are young after all, after all, the situation. It can be said that the intensification of the contradiction in the whole movie is the derailment of the male protagonist, so that in the end, the two people need to go to a sex party in order to find a way out of love.
The movie is more like the confession of the male protagonist. Although the male protagonist successfully married, married, and became a father, his life never left his regret for the heroine, so that his wife would say: You handle you well The past, I can take care of our future. This should be a kind of pessimism of the director, nothing is perfect, and many times the imperfections in our lives are caused by ourselves, but this is also because of the hormones in our young blood. At the end of the movie, the male protagonist hugs the heroine in the bathtub and hugs his own child alternately, and the heroine hugs the two people to each other and talk to each other, and the hug with his own child can only cry and say: Sorry, I'm lost The regrets in our lives are caused by ourselves. When it is more terrible, we will find out how powerless we are when we want to redeem something.
Finally, I saw a sentence on Weibo not long ago when I quoted-you have a desire for a person, that is called liking, and you hold back the desire for a person, that is called love.
May all lovers of the world finally get married.
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