Omen 2: Double Madness: The omnipresent haunted house, the omnipresent patriarchy

Jessika 2022-02-15 08:01:48

The core of contemporary horror movies mostly comes from the collapse of the order structure, and order is an important factor that allows life to continue and daily work to operate. The French philosopher Georges Bataille (1897-1962) believed that people belong to the world of work and the world of violence at the same time, and are torn between the two. In order to survive, people have to work. However, the violent world involving death and sex will block work and become taboo. From this point of view, the ghosts or monsters in horror films symbolize death, and will cause the end of the world of work that people are familiar with, that is, the disintegration of order.

The family is the smallest unit that carries the social order, so once threatened, it can cause the most widespread fear. Take a look at many horror films from the East and the West, whether it is "The Shining" (The Shining, 1980), "The Grudge" (Ju-on: The Grudge, 2002), or the recent "The Conjuring" (The Conjuring, 2013), They all promote the plot centered on the family or house objects. Especially in American horror movies, they take the trouble to play haunted house tricks. It is believed that up to 60% of the stories take place in their homes or backyards. Steven. King (Stephen King) wrote in the original novel of the movie "Ghost Shop": "When you enter the taboo zone, evil things will come." He pointed out the general rules of the haunted house movie.

In haunted house movies, it is common for the protagonist to move his family to a remote old house in order to break through the bottleneck of life or start a new life, and these houses that have been abandoned for a long time are often haunted or haunted houses. The well-received "Sinister" (Sinister, 2012) is an example. The movie combines evil spirit themes and pseudo-documentary 8cm murder images in an attempt to create a new pattern. The story develops to the second episode, Ethan. The novelist family played by Ethan Hawke has become a case of numerous murders. Although the surviving deputy sheriff (James Ransone) is no longer in his position, he continues to investigate and try to prevent the same tragedy from happening again. happen. Only then, the young mother Courteney (Shannyn Sossamon) and her two young children have stepped into the forbidden realm of evil spirits...

In fact, long before the Courteney family entered the taboo world, the order in the film had already collapsed. The reason why Courteney moved with Chuck (Dartanian Sloan) and Dylan (Robert Daniel Sloan) alone was to escape her original family and her violent husband Colint (Lea Coco). In other words, Courtney's departure has disintegrated the family structure, but its value has been destroyed. Fathers abuse their family members, mothers cannot protect their sons, and sons are extremely afraid of their fathers. The middle-class family value constructed by capitalism is completely gone, so "monsters" can invade; or, it is precisely this shaky value structure that nurtures Out the so-called "monster".

In American horror movies, the exorcists or at least experts in related fields are often responsible for exorcising ghosts and rebuilding order. For example, the Warren couple in "The House of Li Yin", but "Omen 2: Double Madness" does not see such a role. Appeared, and even eliminated it completely from the beginning. "Evil spirits cannot be subdued, you can only protect yourself." The priest's words on the one hand deny the power of faith and place the exorcist in a useless position. On the other hand, it is also quite metaphysical and mocking. The clichés of past exorcism movies. After removing the salvation of religion, the power relied on in the film is the deputy sheriff, who represents the law, that is, a rational order. What's interesting is that he is no longer in the police system, and he claims to be a "private investigator", which means that the rational order of the law is also excluded; at least, the authoritative legal order is so.

Regardless of family values, religious beliefs, or legal order, what is behind it is patriarchal authority. It is obvious that "Omen 2" intends to break the tradition. So Courteney in the film does not need to maintain purity or morality. As a woman and a mother, she can still make friends with the deputy sheriff, and even let him step into the house in a majestic manner. In addition, Courteney does not have to become a "masculine woman", holding swords and guns and other weapons that are symbolic of penis and resisting opposition. She only needs to master the power of motherhood to effectively stop her husband's violence against Dylan. However, the patriarchal violence is like a shadow and is omnipresent. It can be transformed into various forms, with a pair of invisible hands controlling everything, just like a white-faced evil spirit that appears from time to time. Therefore, Courteney let the deputy sheriff into the home, which seemed to break the patriarchal family's limits, but she must also take the child to stay at home obediently and stay in the woman’s private sphere, otherwise it would cause evil spirits (father) Right) anger.

"Omens 2" destroyed on the one hand, and immediately began to rebuild on the other. The most significant example of it is "motherhood." In the film, the Dylan brothers watched horror movies on TV. Courtney turned off the TV when they saw it and said, "I don't like watching horror movies before you go to bed." Dylan said back to her: "That's not true. Yes.” Judging from this scene, Courteney seems to be a competent mother who cares about the education of her children, but that is not the case. When Dylan went to bed at night, he was frequently awakened by nightmares, but he did not see Courteney caring; he followed ghost friends into the basement several times to watch murder videos, but Courteney didn't notice it. In addition, Courteney did not notice when Dylan was bullied by his father and brother. There is no way to protect him. As the ghost friend said, Courteney will only prevent false terrorist violence on TV, but she always stands by and allows real violence to take place. After all, Courteney is a negligent mother; fortunately, there is a chance of atonement in the end. When she stepped forward to stop her husband and successfully protected Dylan, she seemed to complete the maternity ceremony in an instant, so that the punishment would not fall on her. Dylan’s phrase "Mom, I love you" was a perfect echo, making the ceremony even better. For Consummation.

Later, when the story develops, Collint and Chuck, who imitated and inherited his father's traits, became victims, but the relatively cowardly Dylan and Courtney survived. Is this a reaction to patriarchy? I have reservations about this. After all, the last voice from the radio pointed out that evil spirits (patriarchy) still existed, and whether Chuck (who inherited the patriarchal authority) was dead or missing is a mystery after all.

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Extended Reading
  • Axel 2022-03-25 09:01:13

    The second part is really much worse, mainly depends on the appearance of the little police officer

  • Major 2022-02-15 08:01:48

    The ending is very cheating, two adults and one child can't do a bear and the child is scared to run around. Who are you fooling? !

Sinister 2 quotes

  • Father Rodriguez: You don't "stop" evil, Deputy. You can only protect yourself from it.

  • [Clint and state troopers have arrived to get the boys]

    Ex-Deputy So & So: Let's see the order.

    State Trooper Shermer: Step aside, sir. Now.

    Ex-Deputy So & So: Who's the officer in charge?

    State Trooper Shermer: I'm in charge, asshole.

    Ex-Deputy So & So: Okay, okay, Officer... Shermer. Where's the sheriff?

    State Trooper Shermer: We're state troopers. We don't have a sheriff. Now if you could...

    Ex-Deputy So & So: I know. I know. I can read the car. I know that you're state troopers. But I also know that child custody transfers is the responsibility of the sheriff. And I can tell you from experience that the only reasons that the sheriff isn't here today is because he either doesn't know about it, or he doesn't want to know. So, you want to call him? You know what? I'll call. Don't worry about it.

    [So & So gets out his cell phone]

    State Trooper Shermer: Sir, put the phone away or I'm gonna throw you in the back of the car myself.

    Ex-Deputy So & So: Are you saying that you'd arrest me?

    State Trooper Shermer: In a heartbeat.

    Ex-Deputy So & So: [putting away his cell phone] Well, then I should probably inform you that I was arrested a few years ago on a capital offense. It was a major news story. All the charges were dropped. But if I were to be arrested again, that'd be pretty big news. Yeah. Whew! I would hate to be the uniform that was trying to make a child abduction look like a custody transfer. State cars and everything? That just might be the worst day of that guy's life. Sir.

    [Shermer backs off, realizing that So & So has called his bluff]