The look and feel is very good, from the quality to the plot, it is worthy of the tenth important node.
Roger Moore’s James Bond is still in a mess, and his three-piece suit is walking around in the desert of Egypt, walking around with long legs, four words-pleasing to the eye. The technology of the Q branch also shines brightly. Who has never dreamed of turning a car into a submarine underwater!
The "Bond Girl" of this department is also very worthy of praise. The outfits are beautiful and sassy, which is actually nothing. There has never been a lack of beauties with different styles among the "Bond girls" of the past dynasties. What is rare is that as a person set as a "Soviet agent", she rarely does it. Arrived to fit the person's design.
Never be vague when you use beauty, never get dazzled when you can’t be taken advantage of, never be entangled with ink when you shouldn’t care about personal grudges, never look forward and backward when you take action, and show that you have stolen the design when you use equipment. Picture, I have a very good understanding of the lives of agents from other countries...Please take a look at the one in "Love from Russia" and the one in "Man with the Golden Gun", this is a serious female agent!
Another very gratifying point is that the ending of "Underwater City" finally abandoned the routine of "Bond and the heroine are about to linger, and the loyal Boss's loyal fish slipping through the net" routine that has been used in several movies has finally been abandoned. The white curtain of the ending was pulled down just right, praise.
It's a very good look, and sure enough, I still like the Moore version of Bond.
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