The second is that the teenager's transformation came so suddenly, I couldn't see the reason for it. Maybe I shouldn't be looking for the reason?
But he suddenly cut off the lace, cut off his hair, and turned himself into a normal person. Then when their love was at its strongest, he suddenly put interests on the table, covering everything and leaving his lover to go to France. Before that, I only regarded him as a boy who bravely loved. Handsome and cute.
But I still like this movie. I like that when I first met him on the window sill when Lorca found him, he lay down on his head and pretended to be dead. I like the beautiful dance in the water, the moonlight is so clean, the water droplets are like the soft light of fireflies. The film isn't surreal at all, it's the usual poetry of gay romances of the era.
Without thinking about Dali's words, Lorca should be the main body of the narrative, and his image is complete. When he put the drunk Dali down, he saw his sleeping face, and his heart frightened him.
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