Gloomy, depressed, distorted, deformed, and the big night really makes people have a psychological shadow.
Bright yellow and red cloth strips, dark courtyard, three people. Judou is bold, breaking through the pressure and beating of the old man, hooking up with his adopted son Yang Tianqing, and giving birth to his son Yang Tianbai. The old man was accidentally paralyzed, and he murdered Judou and Tianqing again and again but failed. Tianbai grew up in the twisted relationship between the three. When he called him father for the first time, he called him father. Dou and Tianqing were in great pain, but then they took the old man into the dye pool and drowned like an accident, with the first smile on their faces since birth. The death of the old man did not bring hope to Judou, and the black humorous forty-nine rounds were extremely grotesque. The two of them sat on the ground in dismay, weeping relative to each other.
In the next few years, she and Tian Qing could only secretly have an affair. Tian Bai chased and killed the villagers with broken mouths, and became more and more malicious towards her biological father, until she pulled out the two who were snuggling up in the cellar, and threw Tian Qing into the red water. In the scream of Judou, Tian Qing died. A flaming fire burned in the courtyard, the red cloth bloomed in the fire, and died in the splendor. This is a bold struggle for women, and it is also an inescapable sad fate.
At the beginning, Judou listened to the sound of killing pigs and said to Tianqing that it was pigs crying for their own lives. While talking, wiping away tears.
I am a woman, not like a pig to be slaughtered
Judou said twice, "This life can't go on." Both times, that person was unable to take her away from this land. The red dyed cloth once witnessed the brilliance of love, creating the crystallization of love, and murdering life, so that love ended in Dyeing Pond.
The women in Zhang Yimou's early films are very tense, bold, enthusiastic, stubborn, tenacious, and have strong vitality, such as Judou, but Yang Tianqing is the one who is timid. He can't break free from the shackles of his identity as an old man. Being nourished by the land, he could not completely get rid of this relationship and could not allow Judou to fly away.
The red and yellow tone should be warm, but in the movie, I think it is only brilliant for a while, occasionally warm, it is the short-term warmth of Tianqing and Judou, and it will eventually be extinguished in the Shenshen compound, only a fire can make it Collapsed to bring it back to life.
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