This is certainly not a film review

Sadye 2022-01-03 08:01:40

Is there really a movie review under this item?

The movies I went to the theaters on weekends, as an old movie lover, I was very happy, because it created the details of the studio era well. It can be said that it is the most "Olympic" movie of various similar era backgrounds in the past decade. good.

But I really doubt whether this movie has nothing to watch for modern audiences.

List the points I can remember, and wait for the major fans to publish long articles after Netflix goes online. New Year's Eve right?)

- MGM & Mayer: beat that time how Hollywood could not have MGM and Mayer, although the name in the company, but in fact not Mayer MGM everyone.

- Thalberg political stance : talented filmmakers to understand before he did in 1934 governorship election disgraceful thing, I did not expect this part of the story in Mank more important than "Citizen Kane" was. I don't remember which documentary or biography I saw it first, but it should be said in this documentary . An unrelated gossip, it is said that the March couple often tried Amway socialism at the Thalberg's party, but they were declined. The March couple are definitely different. After all, there were not too many hardcore GOP supporters of Hollywood stars at the time. Unfortunately, this did not make them more famous on the Chinese Internet.

- Marion Davies : you can look at this documentary about her

Captured on Film: The True Story of (2001)
No ratings yet
2001 / United States / Biographical Documentary / Hugh Munro Neely / Charlize Theron Jeanine Basinger

She also has a memoir, which says that Hearst and she have never seen "Citizen Kane". Search for this part of the content and you can find the original text on the Orson website.

I personally recommend Marion Davie to imitate Garbo in "The Grand Hotel" in Blondie of the Follies, but I don't expect a public account to do the cut.

Davies' nephew (or nephew? I have no evidence) Charles Lederer is a screenwriter ("Girlfriend Friday") and one of the important supporting roles in this movie. Lederer's first wife was Orson's ex-wife, and I hope the official account will gossip.

- Ben Hecht : Paramount Lederer to see that scene Mankiewicz brothers simply a well-known Hollywood screenwriter thirties list. However, this kind of screenwriter that can be a theme of a drama is too background board in it. Herman's grandson (now the host of TCM) speaks of Hecht's letters to his family after his grandfather's death, and they are full of praise for the writing.

- Joseph L. Mankiewicz : daughter has been approved by the parties handsome actor. I feel that Mankiewicz's experience in the screenwriters' union and directors' union is very interesting, and I plan to make up his documentary. In the movie timeline, he had not yet started as a director, but later became a director and won many Oscars.

- David O. Selznick: DOS success is reflected in the time line on such a theory, and he's nothing, there are still a few dialogue revealed the six years he played for at least three companies (Paramount - Michael May-his own SIP, RKO seems to have not left the country). "Paramount doesn't make horror films, we are not Universal" also featured Sternberg, although DOS did not produce JVS movies when he was in Paramount.

I originally wanted to write casually, but the number of words was still exceeded, and I looked forward to the texts of the major official accounts.

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Extended Reading
  • Rylee 2022-03-26 09:01:08

    Quentin is actually filming Once Upon a Time in New Hollywood, and Finch is filming Once Upon a Time in Old Hollywood. Contrary to expectations, the story doesn't dwell on Citizen Kane's signature koan (the Finches are certainly Pauline Kell's supporters), and Orson Welles is completely reduced to a functional character. The whole movie is a process of inference, that is, why Mank created Citizen Kane—the trigger goes back to 1934, when media oligarch Hearst instructed Louie Meyer's MGM to run for governor in support of the Republican Party To make fake news - this may be the real reason Netflix gave the green light to this project, regardless of the fact that Hollywood is now a left-wing stronghold of PCs, and it also started out by doing dirty work back then. The density of lines is indeed high enough, but it is still not as sharp as Aaron Sorkin. Finch found the screenwriter of "Forrest Gump" to modify it, but the signature was left to his father who had been dead for many years, which is also a long-cherished wish. In addition, the famous club joke in "Annie Hall" was used to make fun of the screenwriters' guild, and it was originally written. This joke was told by Groucho Marx, not original by Woody Allen.

  • Glennie 2022-04-24 07:01:15

    How many such Hollywood narcissistic nostalgic films have Netflix received... It might not be possible to have Alan Sorkin in the mouthpiece part. This kind of annoying male protagonist should be watching from the sidelines, talented and sharp, but he was written as a cynic. The gangster... and the key problem is that even if his leg is broken, it is difficult to earn sympathy (so the point of the play is to be bad???), which is really a question of value. The fact that the right-wing concocted fake news is quite contemporary. The sense of age mainly depends on the music also...

Mank quotes

  • [a drunken Herman Mankiewicz sits at the corner of a large dinner table at an elaborate costume party, hosted by William Randolph Hearst and Louis B. Mayer. Instead of tinking on a glass to get the guests' attention, he slashes his glass with a knife. Gasps fill the room as he rises from his seat]

    Herman Mankiewicz: I've got a great idea for a picture, Louis. A picture I just know you're gonna love. It's a modern day version of Quixote!

    [Mank realizes his voice echoes through the room, but he continues, circling the table full of silent guests]

    Herman Mankiewicz: Now I know none of you read, but you know what it's about. A deluded old nobleman, who tilts at windmills. So how might we update this story?

    Butler: [whispers to Hearst] Do you want me to get someone?

    William Randolph Hearst: No.

    Herman Mankiewicz: How about we make our Quixote... a newspaperman? Who else could make a living tilting at windmills? But that's not enough... no, he wants more than readership. He wants more than adulation, he wants love. So, he runs for public office, and because he's notably rich, he wins... no, w-w-w-wait a minute. Notably rich and powerful, can't win over an audience unless notably rich and powerful sees the error of his ways in the final reel. Notably rich and powerful and making no goddamn excuses for it is only admirable in real life. Isn't that right, Louis?

    [Mayer glares at Mank as he drunkenly attempts to light his cigarette with the massive fireplace at the end of the room, unsuccessfully. Marion Davies takes a swig of her drink]

    Herman Mankiewicz: So what do we do? Anybody? We give him ideals! Ideals that any dirt-poor, depression-weary audience can identify with. Our Quixote is against crooked trusts, he's for the eight-hour workday, fair income tax, better schools. Why, he's even for government ownership of railroads. And you know what we call those people?

    Male Guest: Communists!

    Female Guest: Anarchists!

    Herman Mankiewicz: No, our Quixote, he's a two-fisted muckraker. In fact, someone predicts that he will one day win the presidency and bring about, get this...

    [laughing uncontrollably]

    Herman Mankiewicz: ... a socialist revolution!

    Louis B. Mayer: What a bunch of bullshit.

    Herman Mankiewicz: Is it? Tell him, Willie. Tell him.

    [Silence]

    Herman Mankiewicz: Upton Sinclair used exactly those words to describe a young William Randolph Hearst.

    Louis B. Mayer: [leaping from his seat] You miserable bastard!

    Herman Mankiewicz: [bowing] How do you do?

    [Some guests begin to leave the room, but Hearst's and Mayer's eyes stay on Mank]

    Herman Mankiewicz: Our Quixote, he hungers, he thirsts, he lusts for the voters to love him, love him enough to make him president, but they won't. And they don't. How do you suppose that could happen? Could it be because, in their hearts, they know he values power over people?

    [More guests leave as Mank approaches Hearst, still seated]

    Herman Mankiewicz: Disillusioned in Congress, he authors not one single piece of legislation in two terms. Can you believe that? That'll take some writing. Placed in nomination for president... it's too radical for the boys in the back, his bid goes nowhere! But we're doing something. We're building sympathy!

    [Even more guests leave]

    Herman Mankiewicz: Rejected, he flees to lotus land, where his faithful troll, Sancho, has prepared a mythical kingdom for...

    [Mank eyes Davies, stopping himself totally]

    Herman Mankiewicz: Wait a minute. I forgot the love interest! Her name: Dulcinea.

    [Every remaining head in the room turns to Davies]

    Herman Mankiewicz: Funny, adventurous, smarter than she acts. Ah, she's a... she's a showgirl! Beneath his social stratum, but that's okay because true love on the big screens, we all know is blind. And she... well, she loves him, too. So he takes her away to his m-mythical kingdom,

    [to butler]

    Herman Mankiewicz: can I get a bicarb?

    [back to the guests]

    Herman Mankiewicz: Now, along comes nemesis, that's Greek for any guy in a black hat, nemesis runs for governor, and he's a shoo-in to win. Why?

    [points to Hearst]

    Herman Mankiewicz: Because he's EXACTLY what our Don used to be! An idealist, ya get it? And not only that, nemesis is the same guy who once predicted that our Quixote would one day preside over a socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho

    [pointing to Mayer]

    Herman Mankiewicz: and armed w-with all the black magic at his command, he does just this. Destroying, in the process, not one man... but two.

    [Hearst is clearly furious, but maintains his composure]

    Herman Mankiewicz: Well, what do ya think, Louis? Hm? Do ya think it'll play?

    [Mank finally belches onto the floor. Any guest who hasn't already left does so]

    Herman Mankiewicz: Don't worry, folks. The white wine came up with the fish!

  • Herman Mankiewicz: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty.