The story is clever, and the narrative structure is quite simple. Clean and neat, concise and lively, with perfect logic. Express the richest character background and emotional connotation in the least amount of time. There are many characters and few lines, but everyone does not live in the case, but in his life. For example, the police called the police station in advance and said they had radio problems, and before hanging up, they talked to the operator about the sixth child. Mysterious martial arts characters. Kubrick seems to be particularly fascinated by action. In "Kiss of the Killer," there are long close-ups of fighting scenes. In this film that basically does not require action, the only small fighter character is set with the background of a ranger hiding in the city. , And gave him a long fight scene. This little thug can talk about artists and the underworld with a single mouth, which is very awesome. The ending is playful and deliberate, but it is in line with the mainstream view of "bad guys must be punished", and it is also a bit lightly joking. The main line of the story is beautiful, which is something that many directors can do. When the main line is being carried out, everyone in the group portrait uses the shortest screen time to express the most sense of prototype, which is where Kubrick is awesome.
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