And the life in Iran and the inner anxiety of the protagonist as an Iranian in the story are not consistent in this kind of exotic literature.
Nothing special, just telling the "truth" that the outside world has always thought and would like to see and believe, closed, no freedom, and unequal separation of men and women.
I feel that this protagonist is really unflattering.
Selfish, self-righteous, full of freedom and democracy, fled abroad, ran home in case of trouble, relying on a rich and well-connected father.
She doesn’t have a defensible friend, she is not close to everyone (because she is an Iranian), and it seems to be bad for everyone,
indeed, for Europeans she is Iranian, for Iranians she is It's a foreigner.
But this kind of popularity. . . You have to find the reason from your own character. . .
For her, emotional failure is the biggest failure in life. ...However the heroine's tragedy theme is like this.
After reading it, everyone in the office just wanted to know what job her father did and who he was (her grandfather was a prince).
It's too French to be sad enough to be sad, and warmth isn't enough to warm people's hearts. . .
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