I can't get enough of this kind of story: give you a little honey in the deep misery, a little luck in the long misfortune, a little surreal in the cruel reality. As if it were a sadistic game, all the ferocious slaps were just for the last moment of climax and release. This approach does not reflect social reflection on suffering and misfortune, but instead strengthens the legitimacy of misery and misfortune. We don't need deceitful consolation, and we can't develop abusive habits. I watched it a few months ago, I didn't like it very much, I left a tail and just finished it. I can't remember clearly before, but I remember that the film's handling of idealism in political movements was joking or even mocking. When I saw the juxtaposition of street protests and group fights, I saw how it handled Jiongzhe. , self-deprecating?). In a perverted and unfair world, I don't like people who maintain normality. Such people are either vested or cowardly. I like people who are crazy, who die alone, and who are crazy in this world. To be sensitive and conscious, with critical. The scene where the beautiful face is cut is the most powerful moment. It seems to be just jealous and maiming the same kind of behavior. In fact, it is also a cut in the beautiful and fragile illusion of this world. See the inner truth of the world. Beneath the veneer of a poignant and soulful epic of sisterhood is the perpetual loss of the political ideals of the past and the perpetuation of the woeful plight of women. Big things have been faded and ignored, and become irreversible, so we can only seek surreal, ephemeral, and unreliable masturbation from small things, and mythologize small things to replace and deceive the important. the absence of things. The period vibe and the joke baggage are alright.
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