1. The story should be the rhythm of the story, section to section, field to field, curtain to curtain, so-called relaxation and relaxation, let you follow closely until the end. (This is all empty talk, there is an example of you pulling a film! Lamao, I will work tomorrow morning!)
2 Designing various characters gives people a sense of novelty and completeness; and small humor
3 Mood and poetry sometimes have a sense of antiquity , Baby has a lot of beauty in the beginning 4 The music matches the rhythm of the story, but it still plays a role in making people immersed
in the narrative . Gradually reducing it makes me tired (in addition, this design really makes me physically uncomfortable, mainly focusing on the head, too much too) 2 Repeated violations of "show, don't explain". Di Renjie's movies have to be like this. Together with Kamijou, it feels like a lack of coherence. 3 The beauty of the actor baby is really not much left. Summary: The first part is well done, and the second part is too easy to forgive, just like John Ford's Westerns, Zhang Che's martial arts films (Mr. Han is staring at this, dare to be casual Write). Too many of these two genres (and a lot of mainstream Hollywood commercials) feel blunt, unmodern, childish, and doesn't hurt when it comes to proving why a masterpiece is a masterpiece. When it should be scrutinized, it will make people more immersed. All in all, I liked this movie. In addition, Western movies and martial arts movies are the same genre. If it is strictly defined by genre (pure feeling), there is no other genre in this world. In addition, it has nothing to do with this film: the fundamental reason why all the films in this world are not perfect is that the film is limited by time and thus brings a sense of limitation. You only need to split it a little to sum up its design and plot. Just a few. The film writer's polishing in terms of rhythm and mood is mainly to create a sense of infinity. The sadness lies in the gap between the sense of infinity and the fact that it is finite.
In the end, the white horse running over the ruins of the ship is a paralyzing "impressive" that is all in vain. The truth is, it doesn't feel like it, or I won't describe it -- just because it's conceptual: the white horse running over the ruins of the ship.
As for "imagination", all films should be used with caution. It's okay to talk nonsense during the interview.
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