Every time I watch a film by Korean director Kim Ki-duk, I am stimulated. There are too many extreme depressions and negative breaths in his films, whether it is the desperate self-mutilation of the dumb girl in the drifting room, the contradictory revenge of the male protagonist mixed with hatred and deep love in the bad boy, or the decisive revenge in this film. As a result, the director shattered our hopes little by little, and the beauty was once lacking. He is so unobtrusive and cruel, and the fate of people is like a children's game, so that I once had hallucinations - as if I was reading Yu Hua's novel, the thrilling description and the calm tone are exactly the same.
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