This animation tells the story of how two little ducks act as psychological mothers, warm an adult and heal an adult's wounded heart. Although they don't have strong wings, majestic thighs, or burly bodies, they have real feelings of cuddling and relying on each other, have the instinct to give love, and have something called "home" that Dapeng has never experienced before. Therefore, although they are weak and sometimes timid, their emotions are not incomplete, they are confident and powerful. It was these two little ducks that stripped away the shadow that shrouded Dapeng's heart and made him truly grow into an adult and a hero.
The most successful part of the film is that it allows Dapeng and the two ducklings to fully interact, so that their relationship can be established and fermented. This is a point that most domestic animations ignore. "Big Fish and Begonia" wants to describe the relationship between the girl and Kun, but it hardly makes them have too many stories in human form. How can this emotion be built? "The Doll's Raiders" wants to write about the toy's concern for the owner, but it has been letting the toys unilaterally break through the game. How can the relationship between them and the owner come from? So at least from this point of view, the relationship between Dapeng and the two little ducks is time-guaranteed, authentic, and relatively full.
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