I laughed because I know that if life and three-quarters are happy, I don't want to care about the destruction of this quarter.
There is no protagonist in this movie, because everyone is a protagonist. She will pass by your sad street corner. Your beauty is the love that never dies in each other's pupils. Mom would say, God, don't make my baby sick, I'd rather be my replacement. The baby will say, Mommy, I'm good, don't leave me. A wandering artist will build a castle of love for himself and Snow White in his fantasy, but he takes off the mask and looks at reality as a mirror, and his handsome face is just the cheek of a dwarf in love. The two people walking in the milk and bread on their stomachs are unwilling to give up their dream of climbing, so they can only walk away, and the residual warmth can only be told by the black umbrella in the corner. Who said that the rainy season is not the right time, and left behind a love that will never die or last.
The director is cruel. He uses sunshine and soft music to create a country that can be dreamed. It drifts away, but it remains in our hearts in a dripping rainy season. Maybe the director is soft-hearted. The street, a world full of protagonists, was filled with tears from the very beginning. He only used three-quarters of happiness in exchange for our forgiveness, but used a quarter of destruction to catch our tears even more off guard.
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