Great movies force the audience to think, what if I were the pianist, if I were the resistance, and if I was a Nazi soldier, what would I do? Cruel facts and the future can easily take off (even a pianist) the coat of elegance, but only then will the nobility or humility of human nature be revealed.
Yes, this is just an autobiography of a lucky pianist. Changing the pianist's identity to an engineer, a plumber, or something else will weaken the artistic charm of the film, but it doesn't really affect the theme of the film.
The rhythm, tone, and atmosphere before and after the film are very inconsistent. The first part focuses on the accusation and exposure of the Nazis, and the second half of the film reflects on human nature, dignity, life, and death, not only war, politics, and anti-Semitism can accommodate. The photography skills are very deep, the front perspective is detached, and the second half basically adopts the perspective of the protagonist, which greatly helps the audience understand the film. When the protagonist is lying on the ground and pretending to be dead, the angle of the shot is at the same height as his glasses, watching the Nazis go away. This scene replicates the pianist's fear and gradual relaxation process in my heart, Daniel.
Every actor does a good job, even the food delivery technician who only appeared in a few scenes has a distinctive and impressive personality. If a movie can achieve this level, it must be the director's skill, and the potential of each actor has been brought into play. .
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