classic chant

Cindy 2022-04-23 07:01:01

Hitchcock: In Psycho, I was always in control of the audience's attention as much as I was playing the organ.

The core and most important of a suspense thriller is the ups and downs of the plot. Only by constantly making the audience worried and curious can the audience truly be brought into the story and atmosphere created by the film. In the first half of the film, when the audience focused their attention on "Will Marilyn be caught?", the director arranged a "bathroom murder scene", which made the audience suddenly turn their attention to "Who killed?" Marilyn" is a more violent problem, and in the process of solving this problem, the director also does not forget to "play" the audience by breaking or subverting the existing cognition.

A good story needs solid and subtle details to support it. When Norman and Marilyn chatted, the bird specimens with different strengths behind them, from the "trap" in the conversation to the "sewers" in the bathtub to the "swamp", Norman's slightly twisted hips when he went upstairs, The foreshadowing details such as the two mirrors facing each other in the room make the truth more evidence-based. Of course, the poignant, thrilling soundtrack; the gloomy, desolate setting; and the twisted, crazy characters all make the classic worthy of a classic.

"Psycho" created a precedent for psychological thrillers, and also gave thrillers more "playing methods". The same type of high-scoring movie "Deadly ID" proved to us that the classic core will never be outdated.

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Extended Reading

Psycho quotes

  • Norman Bates: I think I must have one of those faces you can't help believing.

  • California Charlie: [Marion is imagining various conversations between the people she believes will be looking for her] Heck, Officer, that was the first time I ever saw the customer high-pressure the salesman! Somebody chasin' her?

    Highway Patrol officer: I better have a look at those papers, Charlie.

    California Charlie: She look like the wrong-one to you?

    Highway Patrol officer: Acted like one.

    California Charlie: The only funny thing, she paid me seven hundred dollars in cash.

    Caroline: [Marion imagines another conversation] Yes, Mr. Lowery?

    George Lowery: Caroline? Marion still isn't in?

    Caroline: No, Mr. Lowery. But then, she's always a bit late on Monday mornings.

    George Lowery: Buzz me the minute she comes in. Then call her sister - if no one's answering at the house.

    Caroline: [Marion imagines the conversation later resuming] I called her sister, Mr. Lowery, where she works, - the Music Makers Music Store, you know, - and she doesn't know where Marion is any more than we do.

    George Lowery: You'd better run out to the house. She may be, well - unable to answer the phone.

    Caroline: Her sister's going to do that. She's as worried as we are.

    George Lowery: [Marion imagines Lowery speaking to her sister Lila] No, I haven't the faintest idea. As I said, I last saw your sister when she left the office on Friday. She said she didn't feel well and wanted to leave early; I said she could. That was the last I saw... Now wait a minute. I did see her sometime later, driving - Ah, I think you'd better come over here to my office - quick! Caroline, get Mr. Cassidy for me!

    [pause]

    George Lowery: [Marion imagines another conversation] After all, Cassidy, I told you - all that cash! I'm not taking the responsibility! Oh, for heaven's sake! A girl works for you for ten years, you trust her! All right. Yes. You better come over.

    Tom Cassidy: Well, I ain't about to kiss off forty thousand dollars! I'll get it back, and if any of it's missin' I'll replace it with her fine, soft flesh! I'll track her, never you doubt it!

    George Lowery: Oh, hold on, Cassidy! I-I still can't believe - it must be some kind of mystery. I-I can't...

    Tom Cassidy: You checked with the bank, no? They never laid eyes on her, no? You still trustin'? Hot creepers! She sat there while I dumped it out! Hardly even looked at it! Plannin'! And - even flirtin' with me!