Just for the elevator scene

Eli 2022-04-19 09:01:07

1. Part of the reason is that I watched it because of the actors, and the subject matter itself is not very attractive. The plot of the movie is rather flawed in some places. For example, the identity of the male protagonist is a mystery, and there is no explanation of what kind of person he is, which makes it difficult for him to follow a more logical thinking and cold-blooded murder in the back without paving the way. Believing in these things, I gave many close-ups of the scorpion on the back of the clothes. Is it a hint to his identity, and then falling in love with a wife and doing so many things for a wife, will it happen often in normal life?

2. But it is obvious that the film uses a lot of shooting skills. Later, I saw that he won the Best Director Award, which gave me a new understanding of this award. The director's speech is like an independent award, even if your film is not well shot. It's the same, but it's more about your shooting skills.

For example: a romantic kiss in the elevator, the lights dimmed. The director is very careful with the lighting, that neighbor's corridor, a warm lamp.

Killing people on the beach, switching between near and far shots, waves and patrol lights shining everywhere.

Fast-forward and slow-motion, bloody scenes, and the last stabs at each other and the eyes of the two people at the dinner table a few minutes ago.

3. It is a movie worth watching and analyzing the shooting techniques, and it can be learned.

4. In addition, the pink characters are very attractive to me and I think they look good.

5. I originally thought it would develop like "The King of Speed", and the back has nothing to do with driving, is it patted and patted off topic?

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Extended Reading
  • Guy 2022-03-23 09:01:07

    How can it be so lonely, even love is so lonely! ! ! !

  • Kimberly 2022-04-24 07:01:01

    The car chase scene in the opening scene consists entirely of the perspective of the car and the subjective perspective of the car. He did not dare to step beyond the space of the vehicle, and gradually integrated the concept of people and cars to fight against the "environment". Sit back in the car, fix it on his face, and drive away; the middle section of the car chase scene is uncharacteristic, emphasizing the positional relationship between the pursuit and the person being pursued, and at the same time simplifying the movements; until the car that collided with the black boss, the movements were also excluded. The simplest, it is like a master's trick to decide the winner in one move. The low-speed actions and music seem to accumulate energy, and they can always find the right time to burst out, so every line is selected, and it will be so important and full of power. It is like the revival of martial arts films in a modern city (a heterogeneous LA).

Drive quotes

  • Driver: You get out of here and you never fucking come back. You never come back.

    Shannon: What are you going to do?

  • Driver: [to Bernie] You know the story about the scorpion and the frog? Your friend Nino didn't make it across the river.