In the past, when I watched Korean films, most of them were feminine third-level films, such as "Youth", "Green Chair" and "The Lover" circulating on the Internet. Not long ago, I saw an "Ice Popsicle", and I also found it refreshing and gratifying. "Old Boy" is a big accident. The style is deviant, surly, black, the story is step by step, the picture is shocking, the editing is sharp, the performance is described as superb, and the hero Wu Daxiu is on the verge of collapse from beginning to end. "Old Boy" is by far the most stylized Korean movie I've ever seen. Choi Min-sik is also the most talented Korean actor I have ever seen, and it is not an exaggeration to praise him for his perfection.
The thriller and suspense of the film runs through, but unfortunately Wu Daxiu's explanation with Mei Dao looking for his daughter after getting out of trouble is a little vague, and I already doubt it. Later, the love between Wu Daxiu and Mei Dao happened, Li Xiuzhen said to herself, do you think Wu Daxiu really fell in love with Mei Dao? I'm finally sure. Therefore, when the album revealed the truth, the impact was less, but it was still a shock to the soul. Later, Wu Daxiu knelt on the ground and begged Li Xiuzhen, kowtowed, learned how to bark, and finally cut off his tongue. Choi Minzhi's performance called "fantastic" was like a nightmare.
But I have some doubts. "Isabella" was also filmed on a similar theme, and even the trap designed by her daughter Liang Luoshi for her father Du Wenze, but the filming was very warm. It stands to reason that China should be more conservative in this regard. Is Wu Daxiu's nightmare a bit over?
When the elevator door was closed, Li Xiuzhen said: My sister and I love each other even though we know we can't, can you?
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