Let an outsider break into one's own consciousness, so as to manipulate one's own behavior and become a puppet. Not only does he lose control of himself, but he is also imprisoned in the boundless prison of consciousness. This sense of helplessness and fear comes from The racial psychology of blacks for centuries.
From the beginning of the 15th century to the end of the 18th century, the 300-year "black slave trade" constituted a racial pain that black people must mention.
♟ The most amazing scene in "Escape from the Dead", in addition to the scene where the male protagonist falls into the "pit of consciousness", the other is his encounter at the white party. Interestingly, the male protagonist does not directly observe the white people at the party with his eyes, but uses the camera as a medium for framing. This design undoubtedly has two intentions: the male protagonist has a psychological barrier at this time, so he dare not look directly; The other is the secondary identity of black people in this white place. He does not enjoy equal "mutual inspection", but only has the identity of "staring" and "being stared at".
The arrangement of many black perspectives and black psychology is the greatest significance of this film, and for the audience of the cinema, such a plot design is not without the suspicion of "unfortunate". On the one hand, white people, as the controllers of social discourse, have the right to deal with the flesh of black people; on the other hand, it is the "narcissism" complex caused by the exaggeration of black flesh. At the same time, the "persecution" in the film undoubtedly caters to The scarred psychology of many black American audiences.
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