The overall look is good. The control of time and rhythm has the style of a master. I saw a few short comments and said that I can see the feeling of Tarkovsky. indeed so. I tend to get distracted watching movies, and I often check the time on my phone. This is nearly three hours, and I only watched it once, so I really don't have time. But it's obviously not a very "busy" movie, with lots of stop-motion and real time, which slows things down and instead increases the ability to grab attention. The scene design alone is very impressive. The one that impressed me the most should be the office "water room" of wallace. (Those two sofas can take a little more thought) Compared with the first one, it has added a lot of wasteland settings and tall and magnificent buildings: the farm at the beginning, the radiation-polluted Las Vegas, but the downtown landscape is no better than the original. There are too many changes, and the giant nude girl is tired of watching in the trailer. I have to say that the costumes and makeup are completely different from the original work, and are more realistic. Personally, I prefer the more exaggerated style of the original work, the snake girl, and the hair and makeup of Pris. This work is a little lacking in imagination, which is a pity in my opinion. I feel that in that world, after 30 years, the shape is closer to our real life. This lack of imagination is also reflected in the level of technology. After 30 years, there seems to be no subversive progress in technology. What can be observed: box lunch vending machines (which have long been available in Japan), holographic projection advertisements, AI Girlfriend joi (a concept that audiences are very familiar with in "She", but there are holographic projections and robotic arm manipulation, as well as the "possessed two-in-one sex" that can be regarded as a highlight ) And then there is the overall feeling that the level of surveillance in this world is very low, even lower than the world we live in now. Today, the American police have been out with cameras all the way, but an artificial "slave" police officer in 2049 has a lot of freedom to hide his whereabouts. This is not a shortcoming of a movie, it is just a violation of our daily environment. Talking about the characters: First of all, the high commander qualified to complete this role, but there is no attractive charm. The love between him and joi obviously cannot produce any sense of substitution. The character's strongest emotion should be the moment he cried out in pain after sharing childhood memories with the "memory maker". However, at this time, I was not very empathetic, because under the very obvious hint, I had long known that he would feel that he was a son, and had been waiting anxiously. Commander Gao was also unable to perform. After that, the one-eyed mother-in-law said that we all wish we were that special person. The ambivalent emotions of joy, excitement and pain and tension are intertwined. I only saw pain and fear. Of course, this is a higher requirement, considering that this is a facial paralysis character. The portrayal of the villain is unsatisfactory, and the boss is another "I am God" tricky performance. Female subordinates have no doubts, I perform tasks, I am good at fighting, and I am a badass villain. The setting of her tears, anyway, I didn't understand the deep meaning beyond the surface. Robin is basically the same as house of cards. Of course, this can't be said to be a disadvantage, maybe choosing her is to let her play a similar feeling. But the hairstyles and even the clothes are similar. I personally don't like this kind of play. For those of you who say that this film is very deep, where is the depth? Easter egg: Two-in-one sex The next morning, the shadow of the wooden pony in the sun, two ears turned into one, like a unicorn. －－－－－－－－－－－SPOILER ALERT－－－－－－－－－－－－ Here are some things I didn’t understand, I hope those who understand can tell me: 1. Why is the memory maker? Living in an isolation room? Only heard that there is a problem with the immune system. Did she also live in an isolation room when she was a child? If so, whose memory is the orphanage? The little boy who copied dna? Even the pony was given to him? If not, why did she become in need of quarantine? 2. How did the male protagonist know that the memory maker is his daughter? I think it's because after seeing that childhood memory, she was pretty sure it was real and cried. Even so, that's not inference, just guesswork. And, if true, it must be her own real memory, back to question 1. This memory is definitely not the real memory of the male protagonist, because he is definitely a replica and has no childhood. Then why does he have this memory? 3. At the beginning, why did Wallace open the belly of the new model? Because this model was used to test the pregnancy function, but it was unsuccessful, so cut the abdomen? 4. Deckard has never looked at her since the child was born, and has never looked for her, for her safety. Why wait until you are old and have no resistance, good = follow the male protagonist to see your child without any entanglement? So the thought of not seeing each other for all these years is wasted? ?
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