height of horizon

Hassie 2022-04-19 09:01:11

It's not a movie review, just talk about a very touching scene towards the end:

The male protagonist floated with the current holding the tree trunk, and the water gradually drowned his face. When I thought he was about to sink, he suddenly struggled out and swam to the shore.

low angle, cool tones

The shore is full of corpses that have been soaked, but not bloody, and the cherry blossom petals falling on them are particularly poignant. At this time, the plane was at a very low angle, almost close to the water, leaving only a broken shape in the sky, giving people a contradictory feeling of being suffocated and relatively safe.

gloomy green

After climbing ashore, he squatted down and cried, and was quickly attracted by the faint singing. He walked into a forest, and the camera changed from a follow shot to a side shot, from a side shot to a front shot, and finally back to a follow shot, as if a bystander was witnessing his adventure.

The soldiers blended into the dense trees, and the oppressive feeling of these trees was overwhelming. He sat in the crowd and listened quietly, but everything seemed so short-lived, this group of soldiers was about to go to the front line, and the singing was just a final mobilization.

The horizon was placed at the top of the frame, leaving only a gap in the sky, and soldiers were rushing to the front lines.

Finally, he walked towards a thin tree, as if he had returned to the beginning of the film. With an upward shot, the horizon returned to its normal height, as if everything was relieved.

This movie is not as violent and bloody as previous war movies, but tells an uncomplicated story in a peaceful and human way. The audience follows the camera and the protagonist to experience the immersive experience. (Although it feels a bit monotonous in the first half)

View more about 1917 reviews

Extended Reading
  • Leonel 2022-03-23 09:01:09

    The biggest contribution of the long lens is that it can transmit all the behaviors on the screen to the audience in real time at the actual speed. Films have been the art of compressing time and space since ancient times. Too many people take the invisible art of editing as a matter of course. . When the ability to compress time and space is stripped away, it brings a sense of immersive urgency and adds a lot of tension between the foreground and the background. This tension is the cruelest part of the war. It was also the invisible fear that many soldiers couldn't let go of after they were discharged from the army. The main creator uses time as an intermediary and uses an art medium that is essentially anti-time to bring people in the peaceful age an experience that transcends time. After stepping out of the theater and resuming one's own life, how generous is time to us

  • Breana 2022-03-23 09:01:09

    The whole film consists of two super long lenses. But the long shots of this film are not used to show off skills, but to prevent you from escaping from the most personal senses, from the sidelines, from the grand perspective of history, and from treating everyone in the film as statistics in the war. So a unique technique with a unique narrative style is excellent.

1917 quotes

  • Lance Corporal Blake: Sir, the General is sure the enemy have withdrawn. There are aerials of the new line...

    Lieutenant Leslie: Shut up. We've fought and died over every inch of this fucking place, now they suddenly give us miles? It's a trap.

    [Leans in to Schofield]

    Lieutenant Leslie: But, chin up. There's a medal in it for sure. Nothing like a scrap of ribbon to cheer up a widow.

  • Lance Corporal Blake: [Schofield and Blake are in the underground German billet] Bloody hell! Even their rats are bigger than ours.