magic

Angel 2022-04-21 09:01:02

Old movies have a magical power, and seeing those long-dead actors still alive is a kind of magic in itself. In the childhood of human society, sometimes people would get together in a circle and achieve a kind of group hallucination through dancing, singing and some neurological plants, which they called "communication with the gods". Just like when we watch movies now, in those two hours, we had no identity, no masks, and experienced another life through a screen, achieved a certain spiritual fit with the ancients, and completed the process of sacrifice. They call cinema a religion.
Hitchcock was clearly a master dream maker.
I've never been too fond of Hitchcock films. But this one really struck a chord with me. At night, I turned off the lights and looked at the window of the opposite building, guessing about other people's lives, just like watching a movie. The modern society gives people a lot of pressure in life, and people's spirits have become distorted. Like the heroine in "Black Swan", she is perfect, but she could have been more perfect.

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Extended Reading
  • Guido 2022-03-26 09:01:01

    My eyes are always on Grace Kelly's beautiful face and all kinds of beautiful dresses. . That tulle nightdress is simply beautiful on her! The plot feels general, and some people compare it to entering the room. Although the age difference is too long, it must have its own characteristics, but obviously I like it better.

  • Aurelia 2022-04-24 07:01:01

    The limited space has unlimited possibilities. It is as subtle as the Barcelona dream of the third team. Of course, there are several wrists, but Hitchcock's skills are inseparable.

Rear Window quotes

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]

  • [Thorwald forces Jeff's apartment door open and stands before him, closing the door behind him]

    Lars Thorwald: What do you want from me?

    [Jeff does not reply]

    Lars Thorwald: Your friend, the girl, could have turned me in. Why didn't she?

    [no reply]

    Lars Thorwald: What do you want? A lot of money? I don't have any money.

    [no reply]

    Lars Thorwald: Say something.

    [no reply]

    Lars Thorwald: Say something! Tell me what you want!

    [Jeff continues to remain silent]

    Lars Thorwald: Can you get me that ring back?

    L.B. Jefferies: No.

    Lars Thorwald: Tell her to bring it back!

    L.B. Jefferies: I can't. The police have it by now.