few thoughts, and even said that a little neurotic silly boy wants to do something as a robber. But the bottom line is that young people want to take risks, want to play, and want to prove that their core is still a friend who grew up. Kitano’s sky is the sky of bad boys. This is the sky of silly boys.
Wes Anderson has been using a uniquely interesting man since his debut. The protagonists all have high sexy noses and wrinkled innocent brows. Later, Owen Wilson Jason Schwartzman is regarded as his queen actor. In particular, the male number two Luke Wilson Owen Wilson and the supporting actor Andrew Wilson are both brothers. Their noses are guaranteed.
The protagonists of Wes's movies are all childish but precocious. They have their own set of vivid and many shots, and they also reveal a kind of playmaker like a playmaker. He himself is also childish, such as the heavy robbery scene of this film, and Luke Wilson is completely in order to satisfy the excitement of the foolish Owen. It is unnecessary and has no risk factor. The escape from the mental hospital is even more childish and unpredictable. The childish logic and behavior are One of Wes’s special features "What the hell is this stupid kid doing?"
Let me say that the most beautiful feature of Wes is that the slow motion that must appear in every film must be accompanied by a close-up of good old songs, the slow motion is full of charm, seemingly meaningless but very touching (the so-called expressionism is almost the same effect) bottle rocket I only used it once, the last set of shots. Owen Wilson has been stupidly stunned. After talking with an old friend who visited the prison, he went back to the prison room and told the two of them that they had arranged the steps to escape from prison. Let the two of them cooperate. When the two of them believed it was true, Owen laughed, "Isn't it funny how you used to be in the nuthouse and now I'm in jail?" Then take back the youth injury that Owen’s back in the prison team can’t tell. After all, nuthouse and jail are not the same thing... the
book is written by Wes Anderson and Owen Wilson. The first three books of Wes are all. They write with bottle rocket cc version also contains a special little documentary Murita Cycles seems that this film is a film that both men began to engage with the driving force as to derive two people would guess what inspired the
saying Wes depth Anderson’s movies never seem to have any great in-depth stories and it is not worth studying, but the scenes with a strong sense of form (bottle rocket, fortunately, shouldn’t have much money to set the scene), close-ups with a sense of formality, unhurriedly rhythmic characters The childish second slow motion and old music mix together is a charming temperament. The story is never the main line character’s next move is the key.
Bottle rocket may be the least remarkable one in Wes’ movies, but it is also the simplest and cute. It’s true. Nothing to say, just read it
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