In general, the whole story is like a series of several scenes from beginning to end, but each scene is enough to grab the audience's attention, which is due to the director's ability to tease the audience's psychological nerves.
For example, at the beginning of the film, a 10-second countdown is used to create an atmosphere that determines the life and death of an individual;
when rescuing the female detective, the familiarity and special effects that go deep into the unknown hinterland;
the wonderful interpretation of the detailed plan when trapping the villainous leader;
the strong gunfire on the bridge across the river Display of the effect;
. . . . .
In the end, when the protagonist was looking for his girlfriend, he took the audience for a tour of Shanghai, which is unique to China and full of flavor.
Of course, don't forget that the film also deliberately tricked the audience into mistaking the hidden villain.
All in all, we've seen a lot of familiar tricks on display, but the beauty of this film is not showing you the tricks piled up, but how to play them. Of course, there are many aspects to the skills of a film, including narrative, emotional rendering, and light and shadow special effects. . . Maybe a film cannot accommodate a lot of technical structures, but as long as there is one point, it can interact enough with the audience and allow the audience to accommodate enough. This is a well-intentioned and good film.
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