This movie, as well as the three billboards, is a category that I haven't been able to type for nearly two months this year. From yesterday to today, I've been pretending to think about things, but what I'm thinking about is why I don't want to write a word. .
Three billboards I can't write because it's perfect in my mind. I don't deserve to make irresponsible remarks about what I have in my stomach at the moment. I am very optimistic about winning the best original screenplay. I can't write this because I really don't know how to evaluate it and learn it. Maybe this is another kind of perfection.
The beginning is particularly appealing, but later you will find that what appeals to you has nothing to do with the facts. The matter of pretending to be a wife to find a mistress was originally a personal life, but later involved people's livelihood and followed up with politics. Nicholson's both righteous and evil face made people feel that if there was a slight deviation, he would give up this matter. So my eyes don't know who to follow, but the curiosity in my heart keeps me wanting to know the facts. I don't know how to shape this character's character. I don't know if the male protagonist is righteous or evil, or as the film critics say, is he a righteous man with a secular world? A heartbroken justice? Some people say that this director is called the golden ending ten minutes, I really haven't seen much of his other works, and I am convinced at the end of this story. That shot made the person who was about to be freed die, the daughter who wanted to escape from the clutches was brought back into the clutches, and the powerful villain controlled all of this without any waves. The Chinese people in Chinatown looked sluggish. , like a marionette, like today's Chinese, except for onlookers, there is no other idea and expression. Justice cannot be heard, and power makes people desperate. This is a story that the director insists on changing with a tragic ending, and it is precisely because of its ending that this film is made. This has also left Chinatown with a particularly weak and dark mark in the eyes of the world, not only Chinatown, but even the entire country.
However, the actual events the script is based on are too huge and complex. Choosing the entry point as an extramarital affair is the finishing touch. It is the screenwriter's talent to show the screenwriter's ability to extract the details from the events and integrate them into a concise and comprehensive story.
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