In fact, to figure it out, just close your eyes.

Libbie 2022-04-19 09:01:34

In the elevator, the manager told the owner that only one person escaped the room alive, a waitress, but that person had gouged out his eyes.

The room was hallucinated because of the guilt in his heart, awakening the deepest fear in his heart, and the waitress also saw countless hallucinations, fear, and dug her eyes and would rather not see these terrifying fragments. When she dug out her eyes and kept groping, she opened the door and escaped.

The protagonist is because he sees too many despairing things, his heart is ashes, and even the last chance is his own fantasy. In the end, in the eyes of others, he died by self-immolation, and the horror room did not disappear. The protagonist has also become one of the murderers. Probably the most vicious one guarding the room. Others go, no more hallucinations, but because the protagonist thought that the manager was one of the elements that killed him before he died, so he pestered the manager, and the last scene appeared to be burned to death in the manager's car.

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Extended Reading
  • Ike 2022-03-20 09:01:27

    Horror movies always put the shackles of the protagonist's personal shadow on it, it's not good..

  • Randy 2022-03-19 09:01:03

    The former Cusack was not Cage II.

1408 quotes

  • Mike Enslin: [describing the room] There's a sofa, a writing desk, faux antique armoire, floral wallpaper. Carpet's unremarkable except for a stain beneath a thrift-store painting of a schooner lost at sea. The work is done in the predictably dull fashion of Currier and Ives. The second painting is of an old woman reading bedtime stories - a Whistler knockoff - to a group of deranged children while another Madonna and child watch from the background. It does have the vague air of menace. The third and final, painfully dull painting, the ever popular "The Hunt". Horses, hounds and constipated British lords. Some smartass spoke about the banality of evil. If that's true, then we've in the 7th circle of hell.

    [turns off tape recorder and pauses, then turns it back on]

    Mike Enslin: It does have its charms.

  • Mike Enslin: [talk into tape recorder] Hotels are a naturally creepy place... Just think, how many people have slept in that bed before you? How many of them were sick? How many... died?