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Rome, Open City Reviews

  • Winona 2022-09-23 06:49:04

    see also sant'antonio

    Don Pietro ran to the art store to connect: Is there a sant'Antonio? No, sant'Rocco or? do not want. The Germans did not physically torture the priest, the Italians did not want the priest to die by their own guns. It can be seen that in countries with Christian traditions, it is very uncomfortable...

  • Christiana 2022-09-21 12:10:07

    Watching Notes: A Duo of History and Myth

    Bazin said that the advent of "Rome, the Undefended City" opened up a new phase in which realism and aestheticism have long been opposed to each other on the screen. Not only that, the later Italian neorealist works became narrower and narrower due to the mechanical and photographic stereotype of...

  • Edmund 2022-09-17 13:23:47

    eyewitness perspective

    The pioneering work of Italian neorealism. Facing the real reality of Italy after World War II for the first time, the Mussolini regime has been overthrown, the Allied forces are approaching Rome, and the Germans who are still occupying Italy, in order to delay time, declared Rome as an undefended...

  • Lois 2022-09-11 06:27:26

    Par André Chastel

    ....Par exemple dans Rome ville ouverte qui était un beau film un film assez étonnant du grand moment du cinéma italien Je ai beaucoup admiré abord parce il était italien et que retrouvais toute cette tendresse humaine qui est italienne enfin que on ressent beaucoup en Italie et puis cause des...

  • Raphaelle 2022-09-05 12:00:29

    shocking truth

    As a participant in the fascist alliance, Italy also committed crimes in the war, but at the same time Italy was also a victim of the war, so, through Rossellini's lens, we see a real record of Rome under Nazi rule.

    Hardships and hardships surround them, with a curfew imposed every day at 5pm, we...

  • Dewitt 2022-06-13 23:00:37

    Pioneering work

    As the pioneering work of Italian neorealism, Rossellini made this film with live-action, non-professional actors, natural light and all the anti-traditional filming methods. Cities, streets, and houses devastated by the war are presented in the lens like a documentary. At that time, the cinemas...

  • Jane 2022-06-13 21:10:32

    [Film Review] Rome, Open City (1945) 8.6/10

    In Roberto Rossellini's neorealism pièce-de-résistance ROME, OPEN CITY, melodrama and cinéma-vérité are magically blended together to elicit oceanic amazement and pathos, it is a panegyric of ordinary Italian citizens' bravery and heroism under Nazi occupation, and in an exceptional note, religious...

  • Garrett 2022-06-13 19:27:41

    Excerpted from the post-screening lecture given by Professor Xu Feng of Chinese Opera

    The genre of neorealism has always been considered to be somewhere between classical and modern cinema.

    There is also a contentious issue about classical cinema: the dividing line between classical and modern cinema. I think there are two levels of analysis: the first is to discuss the relationship...

  • Agnes 2022-06-13 18:39:00

    I like the subtlety like this

    It is a masterpiece of Italian neo-realism film. What impresses me is the very natural and real details of the characters in the film. There is no perfect person: the clergy fish in troubled waters, women snatch bread, but they also bravely assist the underground organization to fight, the leaders...

  • Macey 2022-06-13 18:37:36

    Bazin on the characteristics of Rossellini's neorealism films

    Bazin borrows Amde Eiffel's definition of "neorealism" to illustrate his assessment of Rossellini, "the basic meaning of neorealism is first of all not only in opposition to the traditional dramatic system, but also by affirming certain The whole of reality is opposed to the various...