A major feature of the film is the persistent pursuit of realism, which transcends the scope of animation and is close to real movies. In terms of music, the Entero Yamashiro group of the folk music series was used, and the future world was expressed with Japanese folk music, which has a unique charm. The director's intention is to give modern people who are accustomed to stimulation a new theme of "destroy" and regeneration, and to challenge greater stimulation. This work became a detonator for the destroyed Japanese film industry, and it can be described as the "rebirth" of Japanese movies. It is superior in Japanese science fiction and can compete with Hollywood cartoons.
The film is adapted from a cartoon created by the director Katsuhiro Otomo himself, using a dystopian science fiction story to explore the serious propositions of power and order. Otomo Katsuhiro interspersed deep thinking about humans and society in this fast-paced, grand scene, and emotionally crazy animated work. The riddled "New Tokyo City" expresses his aversion to absolute rule and absolute order. The terrifying display of terrifying power also conveys the fear of the unknown field of science and the worry about the weak will of mankind.
