Like Fritz Lang, Douglas Schick was originally German. He has been interested in drama since he was a student. On the one hand, he participated in performances on stage as an actor, and on the other hand, he was also engaged in drama production. Moreover, he became a stage director at the age of 23 and entered Ufa in Berlin at the age of 29. The company started his film career and first worked as a screenwriter in Ufa Company. In 1935, he directed the first film "April, April". In 1937, his "Ninth Symphony" won the grand prize at the Venice International Film Festival . After directing nine films in one breath, he worked as a journalist for a magazine in 1947, came to the United States as a special commissioner, entered MGM in Hollywood, and then worked as a full-time director for Universal in 1950. A popular entertainment and love literary film, known for its lyrical and depicting musical atmosphere. This "All That Heaven Allows" is his work at Universal. The narrative is subtle and the rhythm is light and smooth. It is a very good film
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All That Heaven Allows background creation
2022-01-18 08:01
Extended Reading
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Christopher 2022-03-25 09:01:19
If there is such a person to me like this, I will be willing to let go of the world and go with him. Life is only a few decades short. When true love comes, both men and women must be brave enough to be happy. Otherwise, what's the point of living alone and lonely for a lifetime? Hey:-(The scenery in front of the window is so beautiful, the long-tongued woman is going to shit (\#‵′) protruding
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Oma 2022-04-24 07:01:22
#FirstSaike# There are great things about it, such as the more restrained expression of emotions, unlike many Hollywood heroines and heroines who express their love and are simply eloquent and unrestrained. Then some photography was not bad, such as a few snow scenes, of course, because it was still in the early stage of color film, the effect was not good, so it was greatly discounted. But I don't buy or can't be moved by what the core of the film wants to express. The only thing that prevents the hero and heroine from being together is the class difference (and the resistance from the outside that this leads to), it's too superficial, cliché, uninteresting, and not really a tragedy at all, compared to many East Asian love tragedies that are much deeper than this . (No wonder Fassbender loves it, and no wonder Fear Eats the Soul is equally boring)
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[Howard passionately but forcefully kisses Cary, she pushes him away]
Howard Hoffer: I'm sorry Cary. I don't know what got into me. I know you're not like that. I apologize for what I said.
Cary Scott: That's all right, Howard.
Howard Hoffer: But I don't apologize for wanting you.
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Ron Kirby: I can't shoot straight anymore.