An American in Paris evaluation action
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Dejuan 2022-03-26 09:01:13
The American painter was wandering around in Paris and was accidentally caught by the rich second generation. He thought it would be a good thing for the two of them. The male protagonist openly expressed his interest in another woman in the restaurant, and kept staring at others. And then rhetorically forced to take people to dance! On the way back, the rich second generation was really unhappy! Not only did the male protagonist not admit his mistake, but he apologized first the next day, while he happily asked the female protagonist for a date? Not being kind! Knowing that the rich second generation likes him, even if they say sponsoring art, the male protagonist is not blind, thinking that secretly dating other girls is enough? The heroine is also, there are objects that still accept the pursuit of the male lead? Adulterer whore, bah! To convince people that at least acting out the two of them is the reason for true love! The story itself is really not up to standard, and the characters are not three-dimensional. Can this win an Oscar? I will not comment on a large number of songs and dances that have no meaning to advance the plot. After all, it is a song and dance film of the old era. The scenes of singing and dancing are not small, and it is full of sincerity. As for gender stereotypes, what could a 1951 film ask for.
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Marianna 2022-03-27 09:01:20
The 24th Academy Award for Best Picture, the 51-year-old American classic musical, there are many good, classic musical scenes, the actors are also very good, just the plot. . . There's basically nothing special about the plot. This movie is all about watching handsome guys and beauties jumping up heartlessly.
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Jerry Mulligan: I came to Paris to study and to paint, because Utrillo did, and Lautrec did, and Roualt did. I loved what they created and I thought something would happen to me too. Well, it happened all right. Now, what have I got left? Paris. Maybe that's enough for some, but it isn't for me anymore, because the more beautiful everything is, the more it will hurt without you.
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Milo Roberts: Why do you make such an issue of money?
Jerry Mulligan: Because I ain't got any. And when you ain't got any, it takes on a curious significance.