An American in Paris movie plot
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Tyshawn 2022-03-18 09:01:08
I'm not a fan of musicals which changes reality to the fantastic stage.
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Elyssa 2022-03-26 09:01:13
1.5. Empty and vulgar Ukiyo-e, value-distorted view of love, completely commercial happy ending, Oscar's worst BP. The set in the studio is bright and bright, but it still can't hide the dirty personal egoism conveyed by the film. If all things can be compromised for the reason of true love, then what is the meaning of the pursuit of dreams in the film ?The output of apparently contradictory values needs to be applied with a title that seems to have double references, but in fact it is just a gimmick. The content presented in the film can be established anywhere, and it has nothing to do with the identity of Paris or the United States. No contact. Under such a commercial package, the substantive style of this film is nothing more than the promotion of optimism and upward spirit in ordinary musical films. Although it has the blessing of an excellent song and dancer like Gene Kelly, it still cannot be shaped under such a bloody plot. An excellent character image can only be a money-worshiping, selfish, hypocritical villain.
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Milo Roberts: [after watching Jerry dismiss a young woman looking at his work] Do you mind if I have a look, or will you chew my head off too?
Jerry Mulligan: No, you're all right.
Milo Roberts: Oh, thank you.
Jerry Mulligan: She's just one of those third year girls who gripe my liver.
Milo Roberts: Third year girls?
Jerry Mulligan: Yeah, you know, American college kids. They come over here to take their third year and lap up a little culture. They give me a swift pain.
Milo Roberts: Why? They're harmless enough.
Jerry Mulligan: They're officious and dull. They're always making profound observations they've overheard.
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Jerry Mulligan: Hey, uh, how'd you come by all these worldly possessions? A rich husband or a rich father?
Milo Roberts: Father.