To some extent, "Andrei Rublyov" can be seen as a contrast to "The Seventh Seal." Rublev, who painted the three icons, can be regarded as the knights in "The Seventh Seal"-they are tirelessly searching for the meaning of life, death and art. Compared to Bergman's direct appearance of the death god, Tarkovsky's "Andrei Rublyov" is both implicitly poetic and spectacular. Rublev in the film has a strong idealistic color, but also has the shadow of Tarkovsky himself-they are really thinking about God, such people are destined to suffer like Jesus. But they are happy, because no artist can create timeless and classic works like these people
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"Andrei Rublyov" is a critique of the direction of the entire Russian nation. Tarkovsky indirectly criticized the political system at the time through the explanation of Russian history and the views on art in the film
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In "Andrei Rublyov", the time of 24 years is the most colorful, the two most important scenes in the film, the Tatar invasion and the completion of the holy bell, Tarkovsky's scheduling is superb, both sprinkling and sprinkling, There is also a delicate depiction of meticulous brushwork. Despair and sorrow, condemnation and victory, and other extremely complex and repeatedly conflicting emotions, were incredibly and harmoniously integrated by Tarkovsky
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"Andrei Rublyov" is one of the most classic and difficult to understand works of Soviet director Tarkovsky. The film reproduces the life history of Russian painter Andrei Rublyov with poetic lens and epic temperament. In the film, the director puts forward the most important basic propositions concerning the survival of mankind. At the same time, he also connects personal history with national history, showing an extremely magnificent picture of thought. The film uses the painter's life years to unfold a complicated historical picture. Tarkovsky is not just a biography of a person, but a person’s perspective to cover the spiritual crisis and faith reconstruction of the entire era. The scenes in the film are black and white, and the natural fragments that are meaningful and full of metaphors, hymns or epic soundtracks, and even the poetic dialogue of language and rhythm, make people completely immersed in the metaphysical spiritual world. In a fragmented abstract lens, suffering, art and faith are intertwined
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