At the beginning of the 15th century, the iron hooves of the Tatars trampled on the land of Russia, which was ruled by the Grand Duke. The people of Lebanon were in deep waters under the tyranny of the Grand Duke. The icon painter Andrei Rublyov lived in this era. At the invitation of the Grand Duke, Andrei Rublyov went to Moscow to paint the church. But in the process of creation, Andrei Rublyov had huge doubts about the content of the icon. This contradictory mentality reminded him of the sufferings of the Russian people today and the fact that he served the nobles. In the end, he resolutely left the church to return. Arrived at the original monastery.
Soon, Andrei Rublyov was forced to return to Moscow for icon creation, but this time he personally experienced the suffering of all Russians. The archduke’s brother colluded with the Tatars to usurp the throne, the residents of Vladimir were killed innocently, the church was destroyed in the war, and the painter’s eyes were full of hell. Andrei Rublyov once again fell into the predicament of the contrast between art and reality, he returned to the Andronikov Monastery, completely closed himself, and refused to continue painting. After years of resistance and conquest, the Tatar army was finally driven out of Russia. In 1423, the Grand Duke invited Andrei Rublyov to Moscow for the third time to paint. Under the influence of a young boy who made a bell, Andrei Rublyov finally completed the masterpiece of The Trinity
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