"Il fiore delle mille e una notte" is permeated with a dreamlike feeling from beginning to end. The story is interspersed casually and easily. From the time Sumaro told Aladdin’s first story, the camera constantly shifted and changed. Telling stories in stories makes it almost impossible to tell which ones are real and which ones are dreamy. At the end of the film, Aladdin and Sumaro finally meet again. Like all fairy tales in Arabia, separation is legendary, search is legendary, and even the reunion has become a legend.
Director PP Pasolini expressed his description of sexual folklore and homosexuality in a positive and affirmative way, instead of blindly scorning and slandering the so-called shrinking and vulgar sexual relationship, replaced by passionate praise and praise
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