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Director Lesser Holstein’s "The Years of Dog Face" also took place in 1959.
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This is the second time that Vitor Siveso played the daughter of Juliet Binoche. They first joined forces in the movie "Love in the Red Dust".
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This is the second collaboration between Lena Olin and Juliet Binoche after their love in the movie "Love in Prague".
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Johnny Depp played the guitar in three scenes in the movie, and also contributed 2 original vocals for the music soundtrack.
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The three major heroines of the film, Juliet Binoche, Judy Dench, and Vitor Siveso were all nominated for Best Supporting Actress at the last Oscar, and the first two were nominated again for the film.
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For the filming of the film, Juliet Binoche made a special trip to a chocolate shop in Paris to learn how to make chocolate.
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Although most of the scenes of the film were shot in France, the roles played by Johnny Depp were all shot elsewhere.
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In many kitchen scenes, we see a woman's hand stirring chocolate, but in fact it is not Binoche's hand, but an extra actor's hand wearing a Viann bracelet.
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The ship where Juliet and Johnny were in love each other was actually built on a stage, artificially imitating the shaking of water waves, and the reflection of the ship was also done by computer stunts.
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Johnny and Juliet did jump into the water. But from the close-up of Juliet's face in the water, it can be seen that the person holding her is not Johnny, because this scene was shot in a pool.
Chocolat behind the scenes gags
2021-12-30 17:20
Extended Reading
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Torrey 2022-03-22 09:01:25
DEPP is at the end of the starring list, and he is just a supporting role. He appeared nearly an hour after the start of the movie and said that this movie is about love, where is it? ? ? It's not DEPP, I definitely don't watch such rubbish films DEPP is so handsome! ! !
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Louvenia 2022-04-24 07:01:03
The plot is really slow and ridiculous, the mood is well created, it should be the director's credit, the character interpretation is good, it should be the actor's credit, anyway, the plot, it's a very ordinary story
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Père Henri: I'm not sure what the theme of my homily today ought to be. Do I want to speak of the miracle of Our Lord's divine transformation? Not really, no. I don't want to talk about His divinity. I'd rather talk about His humanity. I mean, you know, how He lived His life, here on Earth. His *kindness*, His *tolerance*... Listen, here's what I think. I think that we can't go around... measuring our goodness by what we don't do. By what we deny ourselves, what we resist, and who we exclude. I think... we've got to measure goodness by what we *embrace*, what we create... and who we include.
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Roux: I'll come 'round sometime and get that squeak out of your door.