The reporter's view of the information turns into Kane's childhood through dissolving: Kane is playing with a small sled carefree on the snow. When the camera is opened, Little Kane becomes the background scene. In the foreground, the mother standing in front of the window, the window, and the mother walks to the foreground and the banker talks about Little Kane's fate at the table. The camera slowly opened. From Kane to his mother and banker, the picture gradually changed from a single level to the front, middle and back scenes, and the tone transitioned from a single black and white to black and white gray. This in-depth shot brought little Kane’s happiness He freezes his childhood and displays the activities of the three adults in the foreground at the same time. Little Kane's fate has been negotiated by his parents and the banker, but he doesn't know it. He is about to transform from a simple childhood to a complex adult world. The sleigh is buried in heavy snow, symbolizing the disappearance of his childhood. This shot provides the audience with a rich imagination.
Citizen Kane Depth of Field Shot
2021-10-18 09:27
Extended Reading
-
Aurelio 2021-10-20 19:00:35
God annoys the kind of people who say, "This kind of movie is worthless until now," and slander old movies. The idiot knows that technology is constantly innovating. Then you can also say that there is nothing great about the pyramids. Now build a few without pressure, and you'll be overwhelmed. Citizen Kane is indeed worthy of being the greatest movie in American history. Although there are no international awards to hold, but this movie does not need these at all. Time will always prove great things.
-
Matt 2022-03-21 09:01:09
Seeing that at the end it almost yelled three times, the aging tyrant is in the decaying manor, all the people who treat him well are bought with money, and he has been trying his entire life to convince others how much he loves them and convince others to believe in himself. He is a good person, and all his gestures are made for the image of himself in his heart (and Leland and Susan see this too clearly). This is really an American story.
-
Charles Foster Kane: Mr. Carter, here's a three-column headline in the Chronicle. Why hasn't the Inquirer a three-column headline?
Herbert Carter: The news wasn't big enough.
Charles Foster Kane: Mr. Carter, if the headline is big enough, it makes the news big enough.
Mr. Bernstein: That's right, Mr. Kane.
-
Mr. Bernstein: Well, it's no trick to make a lot of money if all you want is to make a lot of money.