Crash evaluation action

2021-12-22 08:01
To enjoy an unparalleled orgasm by experiencing a car crash, the theme of "Crash" is undoubtedly distinctive and peculiar, that is, thinking about the interrelationship between neutrality and machinery in modern society. The first scene of the film can be seen as a clear explanation of this, and it is also an introduction to the metaphorical whole film: In the closed private airport, Catherine touches the cold wing with her plump breasts, and the man behind her begins Caress and make love with her. What swings between the vagueness and ambiguity are people, machinery, and sex, which are the basic elements that make up the film.
On the surface, the strange erotic desires in the film are quite confusing and incomprehensible. From the perspective of characters, it is not difficult to understand. In fact, "Crash" is like a fable that reveals the inner desires of modern people. Whether it is the Ballards, the female doctor Helen, or even Vaughan’s group of crash enthusiasts, they belong to the middle class who have nothing to worry about. Material enrichment has failed to fill the empty spiritual world, and even promiscuity can no longer satisfy them. Sexual ambition. Depressed and twisted minds dominate abnormal and alienated behaviors, and only extreme physical experiences like a car crash can be used to their favor.
If the social alien who loves crashing is the character of this film, and the machinery represented by the car provides the location and props of the film, then sex is the core event of the film's narrative. Unreasonable intercourse between the same and opposite sexes, "Crash" does not cover up the instinct that people have to say, which is hard to say, but makes full use of the limited space to render with great pen and ink.
The lighting of "Crash" also left a deep impression on people. Several strong lights in the dark background created the cold and sad high-contrast tone of the film, and the bare pale human body showed unspeakable despair. help. The large number of concise and neat motion shots in the film not only show the director's skill in controlling the vocabulary of the film, but also strengthen the visual idea of ​​car collision and desire blending   .
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Extended Reading
  • Braxton 2022-03-26 09:01:07

    The vehicle as a broken tool regains its supremacy after being consumed as a middle-class symbol and usefulness, and after a slightly hasty dash, the next shot is the body's scars and prosthetics. In "Desire Express", the two spaces of Canada and Shepparton in the original book have no particularity, but are just universal homogeneous countries abstracted by multiple viaducts. Here, we can even draw a conclusion that Vaughan (Ballard) = Fukuyama, the universal homogenization of the world and the end of history are the process of drilling holes in the body and making scars, identity and sexuality begin to blur, a becoming Masquerade extension of the organless body. Microscopic shocks and signs of death are always present. The most exciting part of the film is in the car wash room. The gradually rising ceiling and Vaughan-Catherine and the male protagonist watching his wife being raped. In the surrounding car windows, the water flow from the machine penis formed a surreal screen. It is the microcosm of the exchange of bodily fluids, and Cronenberg himself still retains his gaze on physicality in this mechanized processing.

  • Destin 2021-12-22 08:01:27

    I think this is the kind of film that has become more and more memorable after watching it. It is not only erotic, but also the kind of liberation that erupts due to car accidents and near death. It raises the crash into totem worship and death. Seen as the ultimate climax, an infinitely distorted and reasonable perversion of human nature.

Crash quotes

  • James Ballard: I'm beginning to feel like a potted plant.

  • Vaughan: The car crash is a fertilizing rather than a destructive event.

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