Crash evaluation action

2021-12-22 08:01
To enjoy an unparalleled orgasm by experiencing a car crash, the theme of "Crash" is undoubtedly distinctive and peculiar, that is, thinking about the interrelationship between neutrality and machinery in modern society. The first scene of the film can be seen as a clear explanation of this, and it is also an introduction to the metaphorical whole film: In the closed private airport, Catherine touches the cold wing with her plump breasts, and the man behind her begins Caress and make love with her. What swings between the vagueness and ambiguity are people, machinery, and sex, which are the basic elements that make up the film.
On the surface, the strange erotic desires in the film are quite confusing and incomprehensible. From the perspective of characters, it is not difficult to understand. In fact, "Crash" is like a fable that reveals the inner desires of modern people. Whether it is the Ballards, the female doctor Helen, or even Vaughan’s group of crash enthusiasts, they belong to the middle class who have nothing to worry about. Material enrichment has failed to fill the empty spiritual world, and even promiscuity can no longer satisfy them. Sexual ambition. Depressed and twisted minds dominate abnormal and alienated behaviors, and only extreme physical experiences like a car crash can be used to their favor.
If the social alien who loves crashing is the character of this film, and the machinery represented by the car provides the location and props of the film, then sex is the core event of the film's narrative. Unreasonable intercourse between the same and opposite sexes, "Crash" does not cover up the instinct that people have to say, which is hard to say, but makes full use of the limited space to render with great pen and ink.
The lighting of "Crash" also left a deep impression on people. Several strong lights in the dark background created the cold and sad high-contrast tone of the film, and the bare pale human body showed unspeakable despair. help. The large number of concise and neat motion shots in the film not only show the director's skill in controlling the vocabulary of the film, but also strengthen the visual idea of ​​car collision and desire blending   .
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Extended Reading
  • Clovis 2022-04-24 07:01:14

    Violence + sex + material society reflection, and the impact of ideological trends. Absolutely. A homage really doesn't deserve to be called a homage.

  • Domenick 2022-03-25 09:01:10

    not my type really, too heavy taste and so twisted

Crash quotes

  • Vaughan: [finding Seagrave's cross-dressed body in the middle of a multi-car pileup] Seagrave? You couldn't wait for me? You did the Jayne Mansfield crash without me?

    [sees dead Chihuahua in the back seat]

    Vaughan: Aww, the dog... the dog is brilliant!

  • Vaughan: [talking into microphone as he walks around the car] Don't worry. That guy's gotta see us. Don't worry. That guy's gotta see us... These were the confident last words of the brilliant, young Hollywood star James Dean as he piloted his Porsche 550 Spyder race car toward a date with death along a lonely stretch of California two-lane blacktop Route 466... Don't worry that guy's gotta see us. The year... 1955. The day... September 30. The time... Now. The first star of our show is Little Bastard. James Dean's racing Porsche. He named it after himself and had his racing number - 130 - painted on it.

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