Film producer Jamesobsessed with sex and has many lovers besides his girlfriend Catherine. One night, after a busy day of shooting, James drove on his way home. While driving, I didn't forget to glance at the script in my hand. As a result, I accidentally drove into a retrograde lane and violently collided with an oncoming car. James was still conscious under the stimulation of severe pain. He found that the man in the opposite car flew into his car due to huge inertia, while the woman sitting in the passenger seat untied her belt and showed him her breasts. Soon, this woman named Helen took him to a car crash hosted by Doctor Vaughan. These enthusiasts were keen to experience the thrill of a car accident with a real crash, and James entered an incredible circle. This group promotes that a car crash is an effective way to release themselves. For this reason, it does not hesitate to take risks. It seems that only the strong moment of the collision between the two cars can let them experience the physical pleasure.
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Crash movie plot
2021-12-22 08:01
Extended Reading
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Jadon 2022-04-20 09:01:52
I was so stunned that I didn't know how to comment for so many days. Cronenberg always gives me a sense of advanced kinky/BDSM, and can always graft the most primitive desires onto cold modern industrial products. It's not "car shock", it's the ultimate climax of admiration and death. It's full of sex from start to finish, and there's more to it than porn and lust. Cronenberg is the eighth house of stars, right? (I'm embarrassed to say it, but I can always relate to Cronenberg's eroticism...
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Braxton 2022-03-26 09:01:07
The vehicle as a broken tool regains its supremacy after being consumed as a middle-class symbol and usefulness, and after a slightly hasty dash, the next shot is the body's scars and prosthetics. In "Desire Express", the two spaces of Canada and Shepparton in the original book have no particularity, but are just universal homogeneous countries abstracted by multiple viaducts. Here, we can even draw a conclusion that Vaughan (Ballard) = Fukuyama, the universal homogenization of the world and the end of history are the process of drilling holes in the body and making scars, identity and sexuality begin to blur, a becoming Masquerade extension of the organless body. Microscopic shocks and signs of death are always present. The most exciting part of the film is in the car wash room. The gradually rising ceiling and Vaughan-Catherine and the male protagonist watching his wife being raped. In the surrounding car windows, the water flow from the machine penis formed a surreal screen. It is the microcosm of the exchange of bodily fluids, and Cronenberg himself still retains his gaze on physicality in this mechanized processing.
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James Ballard: You had sex with all those men in cars? Only in cars?
Helen Remington: Yes. I didn't plan it that way.
James Ballard: Did you fantasize that Vaughan was photographing all these sex acts as though they were traffic accidents?
Helen Remington: Yes. They felt like traffic accidents.
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[Ballard is giving Helen a lift; she's wearing a white coat]
James Ballard: Where can I take you?
Helen Remington: To the airport.
James Ballard: You're not leaving?
Helen Remington: No, although not soon enough for some people. A death in the doctor's family makes patients uneasy.
James Ballard: [smiling] I take it you're not wearing white to reassure them.
Helen Remington: [unsmiling] I'll wear a fucking kimono if I feel like it.