Day for Night About the video
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Letitia 2022-03-25 09:01:23
1974 The 46th OSCAR BEST FORIEGN PICTURE, a play within a play.
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Elza 2022-03-26 09:01:14
Truffaut went into battle in person, and had to admire the ability to deconstruct, the echo of the story and the life settings of the characters, including the practice of events and the director's play in changing the script, including the director's own dreams. Westerners' concept of love is broad, free, and crazy, but it seems to go straight to the essence. The flash pre-transition and Alexander's fixed-frame post-interpretation are really unexpected. It seems that after so long, our film art has not moved very far.
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Ferrand: She's always around!
Joelle: She's Lajoie's wife.
Ferrand: She thinks she's a crew member?
Joelle: No, she thinks women are after him! She makes his life hell. He's too weak to dump her. We call them "The Sorrow and the Pity"!
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Alexandre: How's your mother?
Julie: Very good. I told her we were working together. She sends her love.
Alexandre: Marvelous woman! Everyone in Hollywood loved her. Too bad she quit when she did.
Julie: But she's still very busy.
Alexandre: She hated the way we shoot movies - in bits and pieces! I remember escorting her to the premiere of her first big Hollywood movie. A fantastic evening! When the film ended, she sat there, then turned to me and said: "I did all that? All I remember is the waiting."
Julie: It's so true!