Heat evaluation action

2021-10-13 18:32
The vivid plot and fierce gun battle scenes of "The Wire of Fire", the in-depth exploration and display of the inner world of the characters, make the film more attractive. In the film, both the criminals and the police are not simply based on the role of each person. Existence, but as a person in life, it is shown in flesh and blood in front of the audience. 
"The Line of Fire" is such a passionate and masculine movie. The film starts with the robbery of the car, and as the plot progresses, the respective characters are portrayed in three points. It is a feast for the eyes. Strictly speaking, This movie is no longer an ordinary action cop film. It uses a delicate and realistic way to depict human nature, and its influence on the character and the surrounding environment has risen to a higher level. 
The film depicts each person’s temperament and the loneliness in the depths of the soul to the nuances. It also conveys unspeakable sadness in the interaction between people. This is entirely due to the director’s accurate and keen observation of the urban crowd. Conducive to the ability to control the rhythm of the film, the progress of the plot separates and interweaves everyone's fate. Even in the fiercest shootout, the switching of the camera still maintains unspeakable ease and clear lines. , The rigorous image style, completely calm, but let people unknowingly be brought into the destiny space of all the characters. 
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Extended Reading
  • Salma 2022-04-23 07:01:01

    The wrestling between the police and the bandits is extremely handsome, and the masters sympathize with each other; several robbery and shootout scenes are very neat and flamboyant, De Niro and Fang Jimo are calm and dare to work, and it is suitable for static and dynamic; in contrast, Pacino can't keep up The rhythm was exhausted throughout the whole process, and only at the end was political correctness to get rid of De Niro; the interesting thing is that behind every man there is a non-symbolic woman, adding tenderness and enriching men to the hot men's drama Dimensions of the role

  • Micaela 2022-04-24 07:01:01

    "Don't ask for any accessories, there shouldn't be anything in your life that you can't throw away in thirty seconds." Five stars for this sentence. The film itself was affected by the rhythm problem. Whether it was the director's lack of control, or the editorial choice, is unknown. In the end, it was the two movie stars who were playing, blurring the good and the evil. ps, not to mention that there are no decent female characters, even Fang Kimer's Chris has no beginning or end.

Heat quotes

  • Nate: [over the phone] Nobody knew the "merch" was yours, be that as it may, my way you get a hundred percent from the insurance company and take the bonds back from us at sixty cents on the dollar, make yourself another forty percent. The operation doesn't skip a beat, everybody makes out.

    Roger Van Zant: [while in his office with Hugh Benny] Sure, you got a deal.

    Nate: Good, this percentage, nobody gets their underwear twisted over this.

    Roger Van Zant: Yeah, so you have your man call me and we'll set up the meeting.

    Nate: Yeah, okay.

    Roger Van Zant: [hangs up] Nice talking to you.

    Hugh Benny: You're gonna deal with these guys?

    Roger Van Zant: [while looking at his computer monitor] So, word's out on the street it's ok to steal my stuff. I'm going to kill these sons of bitches. Have Harry bring me the spreadsheets for Canary Islands offshore.

  • Neil McCauley: [while leaving Kelso's home, refering to the plans for the bank robbery] I bought it.

    Nate: [before giving him Van Zant's contact information] Good, I told you he's legit.

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