"Interiors" has a strong Ingmar Bergman atmosphere, which is reminiscent of Bergman's film "Shout and Whisper". The film is a family film full of dramatic tension, the complex changes in the relationship between the characters are maintained until the last shot, and the plight of modern intellectual women is deeply reflected in three daughters and a mother. However, in the final part of the film, Parr, a woman from the ordinary class, has an overall victory in this intellectual family. The film is radically different from all of Woody Allen's previous work, and goes exactly the way of Bergman, tragically exploring the intractable problems of modern families. The film completely abandoned Woody's already formed comic style of comedy, and laid the foundation for Woody's future work combining drama, tragedy and comedy
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Interiors evaluation action
2022-03-14 08:01
Extended Reading
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Weston 2022-03-27 09:01:21
2012-06-30 I saw this re-marking, just to remove the rating
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Raleigh 2022-03-14 08:01:02
I really like a few of Woody Allen's old movies. My favorite is the frequent "showdowns" of characters in a single scene, which looks very explosive - but because of the (possibly intentional) blunt and even abrupt transitions, as well as the time gap between scenes, it makes it look more Like a sub-section, or a set of storyboards that didn't really get done, even if the intention was to express the alienation of the theme through such a rhythm.
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Mike: I love you, Joey.
Joey: Why do you stick with me? I give you nothing but grief!
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[repeated line]
Eve: I think it's exquisite.