Jackie Brown evaluation action

2021-10-20 17:21
This is a film with an original underpinning. Quentin’s respect for the original author makes the plot and dialogue of the film quite satisfactory. It seems that it lacks Quentin’s iconic black humor, fluent dialogue and bloody violence in other works. The scene and the unhurried pace of the film also disappointed Quentin fans who were used to watching "Kill Bill" and "Pulp Fiction." But in terms of shooting techniques, plot deconstruction, and character tags, it is still a full-fledged film.
The whole story is narrated in Quentin-style nagging and calmly, the plot development is still not rushed until the climax. Quentin replayed the climax from different perspectives of different characters, with unique ingenuity, which became the finishing touch of the film. In addition, the development of the story is unexpected, and many of the classic scenes are very tasteful when you savour it carefully .
"Dangerous Relations" does not have the unrestrained enthusiasm of other works, but it brings the most original Quentin taste, exquisite script structure, public personality, and refined dialogue of Ji Feng .
In the film, Quentin also focused on portraying an image of a woman who used to have less ink, but also unexpectedly established an absolute protagonist in the film. However, judging from the audience’s reaction, the blunt and boring story, the procrastinated rhythm, and the repeated use of gimmicks also make "Dangerous Relationship" only be classified as a mediocre and failed work.
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Extended Reading
  • Cathryn 2022-04-20 09:01:12

    This is the first Quentin movie I've seen

  • Liliane 2021-10-20 19:01:53

    Today is Quentin’s 57th birthday, and he specifically marked a movie directed by him to commemorate this alternative ghost. And this movie may be the least well-known of Quentin's 10 movies, how low is it? Station B doesn't even have a parsed video, no fast food for a few minutes. Judging from the content of the movie, it lasted two and a half hours, only 7 shots were taken and 3 people were killed, and there were almost no bloody shots. It was not Quentin anymore, and the lengthy and unmatched lines were again. In particular, Quentin, the interludes in the movie are probably carefully selected by the director himself, which is in line with his own taste, and it is unique to eat with the plot. Generally speaking, the rhythm is not fast or slow, the initial stage is relatively long, and the audience is prone to lose patience. The narrative technique is mainly to try to restore the event from three perspectives when the exchange is 500,000. It is interesting and possible to express the theme. Relatively lackluster, maybe some value judgments have been incorporated into some lines and part of the plot. In the end, letting the female thief go unpunished is some kind of anti-routine.

Jackie Brown quotes

  • Ordell Robbie: Why don't you walk me to the door, space girl?

  • Ordell Robbie: I suppose you see a piece of this for yourself?

    Jackie Brown: Its my plan. We're in this together.

    Ordell Robbie: Yeah, but its my money and I don't need no fuckin' partners.

    Jackie Brown: I ain't your partner. I'm your manager. And I'm managing to get your money out of Mexico, into America, in your hands, and I'm managing to do it all under the nose of the cops. So, therefore, I'm your manager, and a manager gets 15%.

    Ordell Robbie: No, a manager gets 10%.

    Jackie Brown: No, thats an agent. A manager gets...

    Ordell Robbie: I'm gonna give you 10.

    Jackie Brown: No. No. A manager gets 15%, agent gets 10. I'm getting 15%, all right?

    Ordell Robbie: All I'm gonna give you is 10.

    Jackie Brown: And the same deal as before.

    Ordell Robbie: I can do that.

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