King Kong movie plot
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Fay 2021-12-09 08:01:20
The originator of monster movies, the pioneer of Hollywood special effects blockbusters. 1. The film uses a variety of special effects technologies, such as simulation models, (pre-set) miniature models, background projection, matte painting, etc. The most important technology is the frame-by-frame shooting of King Kong and other prehistoric reptiles. The film's special effects director Willis O'Brien has used stop-motion animation techniques in many fantasy films. Now it doesn't seem to be very fake, it's just that the King Kong movement is slightly stuck and jumping, and the head of Tyrannosaurus is too cute and distorted. 2. The second half of the rhythm is very tight, making people have no time to think. If you think about it, the film is indeed worthy of excavation and interpretation from a post-colonial and ideological perspective. The plot setting of climbing to the top of the Empire State Building and being beaten down is also meaningful. 3. Faye Ray is similar to Naomi Watts. It seems that Peter Jackson did consciously reproduce the old version of [King Kong] in terms of casting and plot structure. However, the new version is better, not only in terms of visual effects and thrills. The old version of Ann only has fear of King Kong, while the new version has more emotions, which in the end makes people cry. (8.5/10)
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Asha 2022-03-27 09:01:06
Original fantasy stories (even without sci-fi logic), with little analysis and a lot of curious effects. It has become a kind of archetype, and later generations will use this to add various complex contradictions and character psychology, and examine it from the perspective of multiple characters and even King Kong. Finally, it ends with a simple "die for beauty", like an old-fashioned folk tale that is mostly legendary and half wise. The sound effects of the sacrifice are not completely in line with the dance, and the sound film is not yet mature here?
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Captain Englehorn: And you expect to photograph it?
Carl Denham: If it's there, you bet I'll photograph it!
Jack Driscoll: Suppose it doesn't like having its picture taken?
Carl Denham: Well, now you know why I brought along those cases of gas bombs
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Carl Denham: Throw your arms across your eyes and scream, Ann. Scream for your life!