La Grande Illusion evaluation action

Margot 2022-04-23 07:03:27

The pattern is open! Frontiers are only invented by people. It's really frustrating to be transferred out of prison just in front of you. Rothstein insists that the courage to escape from prison is commendable. Of course, the escape scene is actually not the focus of the description, unlike "The Hole", which is propped up by the process of escape. On the one hand, the soldiers often joked in prison, performed, dressed in women's clothes, helped each other to feed each other, escaped from prison, united but also sang Marseillaise together, not forgetting France. On the other hand, Bodio and Laufenstein were both former nobles. They thought about the reason and meaning of the war and found that it was all meaningless. Laufenstein was already tired of war, but had to carry out these fanatical and ignorant missions. The belligerent subordinates are also dissatisfied with him, and people have completely ignored why they fought. And Bordeaux let his comrades of the common class run away, because he could not see the meaning of war, which also made him more respectable than Laufenstein, who looked down on civilians. At Aisha's home, Malisha saw the war ruined the family, and also felt the love and recognition of people from different countries. He really loved her. The fact that the Germans could not fire across the artificial frontier saved them, but it was even more absurd.

Everett 2022-04-21 09:02:54

After reading it, you will think of the world of yesterday, and the Christmas Armistice described in The Fall of the Giants. It was a turning point when order was still maintained decent, alienation but involuntarily. The first battle was filmed on the eve of World War II, but it was full of the joy of life. , "Soldiers are like children, children are like soldiers", the collective escape is more like the kind of rebel game in the zero points, the connection of people, still resisting those artificial divisions, but the guns are ruthless, "duty is duty", the glory of devotion The aristocracy endowed with yesterday seems to herald the shuffling and reconstruction of power, which is probably the experience of the twentieth century that war and peace have not yet touched. Renoir's shot is not very long, but the schedule is lively. The scene in the prison is performed, and the shot sways with the change of emotions, from entertainment to seriousness, and finally stops at the group of soldiers chorusing Marseillaise. Here, solid identity and nihilistic Missions meet on the faces of the French. The entire film has a wide range of viewpoints, and the second half is slightly out of touch, but in the context of war, language and audio-visual elements are all used to express, the gradually sounding footsteps, the cows breaking into the house, the washed white gloves .