The film depicts a Japanese social story with no trace of Iranian culture at all.
The distinguishing feature of the film is that trivial matters are narrated according to the time logic without interruption. The time in the film is less than 24 hours. The subtle changes of each person in the plot and the display of personality are vividly and vividly. This way of shooting is very bold.
The film is hilarious and elegant, in which the actors play the trick of love. The film will carry the role-playing to the end, with less exaggeration and more literary style. There are traces of Yasujiro Ozu's works scattered throughout the film. Although the film is not perfect in terms of reason and emotion, it still brings the audience a simple viewing experience. Abbas's graceful shots and confident editing techniques add to the film. In the film, the long shot of the main character traveling through Tokyo in a car is flashy and beautiful, and the familiar neon lights on the streets of Tokyo are reflected on the faces of the characters. Toshihiro Isomi's meticulously designed scene layout presents an illusory barley tone, while photographer Katsumi Yanagisa easily integrates darkness and irony into the brisk and lively shots
