Love Letter evaluation action

Jermain 2022-03-17 09:01:08

It talks about the ignorance of love (female Fujiiki) and wishful thinking (Hiroko) and the scumbag (male Fujiiki) who never wants to open their hearts sincerely torture them. Of course, Shunji Iwai used the unique aesthetic taste of the Japanese to put a layer of aesthetic and pure shell on the one-way controlled mental abuse (serious crush and cold deceit), giving it a sublimated beauty of good and evil. The end of the film is really a chromatic movement of emotional and spiritual torture. Hiroko faces the snow-capped fiance who is still infinitely nostalgic for deceiving her. On the other side, the female Fujiiki suddenly finds out the secret and falls into infinite regret for the missing love. A dead man planned a thrilling mental and emotional control of two women with dramatic ups and downs over the course of ten years. God knows how this ending is so tearful, this is the level of Shunji Iwai. I checked the list of his directorial works and found that none of his works are really about love. It is all about the mistake, misunderstanding, deception, control and passive endurance of the relationship between the two. This is his true intention to express it.

Clementina 2022-01-21 08:02:55

I will never forget the appearance of Takashi Kashiwahara leaning against the window. He was holding a book and looking down. The curtains were gently floating behind him. Looking up, I saw the cleanness and beauty of the beautiful boy at the end of this century. "Love Letter" is the classic Iwai Shunji photography style. Since then, many romance films have borrowed his framing and photography style.