The uniqueness of the story of "M. Butterfly" lies in the fact that the playwright uses Eastern culture, language, and signifier to explain, supplement or replace Western culture, language and signifier in "M. Butterfly". At the same time as the separation of meaning and meaning, they are reconstructed and combined across meanings. This culturally ubiquitous and ubiquitous creative pattern of the film gives the film a brand-new viewing mode, which highlights the dramatist’s break free from the shackles of cultural differences, dispel hegemonic discourse, and make The creative intention that the discourse of the "other" is no longer absent.
The super-cultural innovation of film art is the supporting point and focus of the creation of "M. Butterfly". The film’s transcultural innovation strategy creates a new world of equal dialogue for the audience; the replaced story gives the audience an extremely deep and rich imagination. In particular, "M. Butterfly" is a form of literary value that blends Eastern and Western artistic elements through art forms and vocabularies that cross national boundaries. From the two levels of language connotation and extension, it is an inter-ethnic, inter-ethnic, and inter-group culture. The exchange provides enlightenment and highlights the function of film cross-cultural communication that cannot be underestimated: first, it deconstructs and reverses the concept of "Orientalism"; second, it recreates the oriental image of the "other"; third, construction Create a virtual space of equal dialogue and cultural mutual interpretation between the East and the West, so as to find a channel for equal communication between minority culture and mainstream culture.
The theme of "M. Butterfly" is to realize the coexistence of multicultural differences. Not only does it make audiences from different countries feel racial prejudice and discrimination, it is a serious obstacle to the communication of heterogeneous cultures; it also makes people realize that, In the contemporary era of ever-closer global time and space and increasingly mixed ethnic interactions, people must learn to cultivate the awareness of accepting and respecting different cultures if they want to re-understand and understand the world. The cross-cultural communication function released by "M. Butterfly" through intertextual deconstruction, topic coding, and transcultural innovation is not only in the deep cultural concepts and consciousness of the East and the West, but also in the techniques of film cross-cultural communication. , Presents a variety of colors, and more importantly, it demonstrates the great expectations of overseas Chinese dramatists about the emergence of new qualities of multiculturalism and the improvement in the expansion of national cultural horizons. This may be the " "M. Butterfly" represents the meaning of cross-cultural communication embodied in the equal dialogue of heterogeneous cultures.
