After hundreds of years of development, film technology has gone from wild to maturity, and filmmakers have used chemical photography to create one after another classic and visual miracles. As time gradually moves towards the 21st century, chemical photography approaches a critical point, with little room for improvement, and it is increasingly unable to cope with the film industry's demands for new technologies and new shooting techniques and concepts. At the same time, digital photography is in the ascendant, and it is entering the field of film where traditional technology is impregnable with unprecedented momentum. From Dogma 95's use of portable DV to George Lucas' bold HD photography application, along with the politics and discussion of "diehards" and "innovatives", digital photography has eroded the territory of traditional film and has gradually become the mainstay of today's film industry. Mainstream. In this process, light distribution, photography, editing and other work have also been shocked and affected one after another.
This is a brand new revolution, a confident outlook for a future full of possibilities.
