Metropolis background creation

2022-03-18 08:01
The "Metropolis" series of comics has not been introduced to China, but it has a far-reaching influence in Japan. Its wonderful conception of the future world has influenced many animators, including screenwriter Otomo Keyo. The design of the future city in his "AKIRA" can be seen in many places. It is precisely because he likes Osamu Tezuka's old work 50 years ago that Otomo Keyang agreed to adapt the original work and put it on the screen.
Osamu Tezuka had always opposed making this work into an animation before his death, mainly because he was worried that the production effect would not be able to express his idea perfectly. In addition, the work had an unrestrained and extremely detailed idea of ​​the future city, and it also required certain technical means to be realistic. manifested. In 1996, Lintaro, who had collaborated with Osamu Tezuka on many animation works, believed that the time was ripe and invited Otomo Keyang to join. It took 5 years to produce 150,000 pictures and used advanced CG synthesis technology to produce this Japanese animation. This masterpiece of the film.
"Metropolis" combines traditional graphic animation and three-dimensional animation techniques. The production period of "Metropolis" is 5 years, the total production cost is 1 billion yen, the total number of paintings has reached 150,000, and the income of Xingxing is 750 million yen.
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Extended Reading
  • Syble 2022-03-18 08:01:01

    The scene is top notch.

  • Coralie 2022-03-18 09:01:10

    (8.5/10) 1. In a fictional utopian city, robots have gradually replaced human labor, and society is divided into two conflicting classes. The dictator's fantasy of creating a perfect artificial man to rebuild the world is like the religious metaphor of the Tower of Babel: Humans try to surpass God and ultimately fail. The shadow of Fritz Lang's "Metropolis" can still be seen. Class antagonism, dictatorial resistance, conspiracy and revolution, as well as the construction of future scenes and models, are all inseparable from the creation of Fritz Lang. 2. The beginning and the end are in contrast. The crowd revels under the dictatorship and the ruins after the destruction. Jazz is really the music of the fans. The world-destroying explosion scenes are paired with soulful music and are simply romantic (think of many scenes from "Silver Guard".). 3. The original comics by Osamu Tezuka, the script of Otomo Keyang, the soundtrack of jazz European and American style, the shaping of the future urban landscape exceeds expectations.

Metropolis quotes

  • Tima: My father is... Kenichi.

  • [first title card]

    Title Card: "Every epoch dreams its successor." - Jules Michelet

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