Misery Piercing lens

2021-10-22 14:30
Facts are wrong: Paul Sheldon’s car was twice said to be a 1965 Ford Mustang, but in fact the car he drove was produced in 1966.
The crew or props: When Paul was in the kitchen for the first time, when he gave a close-up shot of the knives, he could see a staff member projected onto the stove in the corner. Paul checked Anne's paper-cutting book. The news paragraphs in the newspaper were repeated, and the same paragraph was copied many times.
Character error: When Paul looked at Anne’s scrapbook, her name was Anne M. Wilkes in the capitalized headline of the news, but the caption of the photo under the headline was Anne C. Wilkes.
The sound is out of sync: At the end of the film, Paul Sheldon thought he had killed Anne, so he climbed over the broken champagne bottle and crawled towards the door, but at this time he couldn't hear the broken glass on the floor. The sound of scraping.
Enlightening error: In the section where Paul blamed Annie for buying the wrong printing paper, and Annie screamed at him because of this, she roared and rushed out of the room and slammed into the door, thus making the "props tremble": And a real wall never swayed back and forth because of the impact of the door.
Continuity: When Annie threw the soup to Paul, the color of the soup changed from red to orange; at the end of the film, Paul and Annie tore and beat each other, and he put his fingers into her eyes to make her blood. It was full of face; but in the next shot, when he knocked her to the floor, there was no blood under her eyes. 
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Extended Reading
  • May 2022-04-23 07:01:27

    Excellent script and characterization, Kathy Baez is so awesome, and the ending is typically Stephen King. PS: I hereby solemnly advise those pit gods who have dug the tiankeng and couldn’t fill it by themselves, such as Nan [beep--] Third Uncle and so on, it is best not to do this, otherwise there will always be strange aunts who will Love you for your readers.

  • Dorothy 2021-10-22 14:41:14

    The choice of style, music, and even the way the subtitles are hidden are made in typical Hollywood in the 1980s and 1990s, using details and coincidences to promote the development of the story, using close-ups and parallel montages to create an atmosphere, plus two starring perfect opponents. This is definitely a top-quality work; another point: crazy fans are the most important thing, how many celebrities are played to death like this.

Misery quotes

  • Annie Wilkes: Anything else I can get for you while I am in town? How about a tiny tape recorder, or how about a handmade pair of writing slippers?

    Paul Sheldon: No, just the paper would be fine.

    Annie Wilkes: Are you sure? Because if you want I can bring back the whole store for you!

    Paul Sheldon: Annie, what's the matter?

    Annie Wilkes: WHAT'S THE MATTER? I'll tell you "what's the matter!" I go out of my way for you! I do everything to try and make you happy. I feed you, I clean you, I dress you, and what thanks do I get? "Oh, you bought the wrong paper, Annie, I can't write on this paper, Annie!" Well, I'll get your stupid paper but you just better start showing me a little appreciation around here, Mr. MAN!

  • Annie Wilkes: God came to me last night and told me your purpose for being here. I am going to help you write a new book.

    Paul Sheldon: You think I can just whip one out?

    Annie Wilkes: Oh, but I don't think Paul, I know.

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